• Part I: A Diabolical Plot

                Those fancy hotels work like this: first, they take your money, say for a week, in advance.  Then they gas you, so you either die, or get fed up and leave early.  In either case, they get to rent your room out again to some other sucker, thus doubling their money.

                One night I was sitting in my tiny room in the Chelsea, drinking and writing.  I had gone out for another six-pack, and had just got back into the hotel and was walking down the hall towards my room.  It was February, and the hall was freezing cold.  One of the rooms on the hall had the door standing wide open; I could see inside it and the window was wide open too.  A middle-aged woman with long, dyed-blond hair came out of the room, wearing a long, suede coat and holding a sandwich.  I had never seen her before.
                "Hello," I said.  "How are you?"

                "I have to eat my dinner out here because my room is filled with smoke!" the woman screamed.  Her eyes were darting back and forth in her head like she couldn’t see very well.  She didn’t wear glasses, though it seemed like she needed them.  There was no smoke in her room.

                "That’s terrible," I said.  "Why is your room filled with smoke?"

                "What the hell are you asking me for!?  Why don’t you ask them down at the front desk?!"

                In those days the hotel was filled with crazies.  We used to joke that the Chelsea was the last stop on the way to the nut house.  Sometimes it made me wonder what I was doing there myself.  Crazies and creative types: the line was kind of blurred.   
             
    But not in this case.  "Well, can’t talk now.  Gotta run," I said, and turned my back on her and walked away down the hall.
                She followed after me, screaming: "I don’t want to talk to you!  I’m just eating my dinner!  Why are you asking me about the smoke?!  Huh!?  Why are you asking me about the smoke?!  You’ve been living here for years!  You know what’s going on!"

                At this point I had been there for less than a year.  But I was beginning to get an inkling as to what was going on.  They would rent these transient rooms out to just about anybody: pimps, prostitutes, con men, street hustlers—people who couldn’t get a room elsewhere–often at exorbitant rates.  The theory was, that kept the rent down for the permanent residents, the writers and artists and musicians.

                Breaking into a run, the old woman hot on my heels, I made it to my door.  On the verge of panic, I fumbled around finding the right key, but got it into the lock before the woman could catch up to me.  I slipped inside and slammed the door in her face.  Goddamn crazy bitch.

                Something I had said or done really set the woman off.  She screamed for two hours about how there was a conspiracy to kill her.  The management of the hotel, and the long term residents, were in cahoots in this plot.  Unfortunately, the halls wrapped around in such a way that my window was directly across from hers.  I couldn’t concentrate on my work, and it didn’t take long before the old woman was driving me nuts.  I was grateful when she went out in the hall and screamed, though I don’t think anybody else in the hotel appreciated it. (Copyright 2006 Ed Hamilton)

    Next Week: Part II: Ghosts Of The Old Hotel

  • Monday, Feb. 27,
    Yk_1 Former Hotel Chelsea resident and author of The Chelsea Manifesto, Yves Klein, has a very nice piece of work on display at the Art Dealers Association of America Show. The show closes today.
    Seventh Regiment Armory on Park Avenue

    Tuesday, Feb. 28, 10:30 p.m.
    Susanne Bartsch and Kenny Kenny invite you to the NYC premiere BURLESQUE Happydays060213_1_560_1_1 EXTRAVAGANZA starring: AMANDA LEPORE & AMBER RAY; choreographed by: THIERRY MUGLER
    hosts
    : SOPHIA LAMAR, KIM AVIANCE, ANDREA, AMANDA LEPORE
    DJ TOMMIE SUNSHINE downstairs: DJ RYAN
    door: THEODORA & ADAM
    14 east 27 st

    Ec Wednesday, March 1, 5 to 9 p.m (Opening Reception)
    Work by former Hotel Chelsea resident and illustrator Edward C. Caswell is the subject of an exhibit at the new Museum of Brooklyn Art and Culture.
    512 Hancock St., Bridgeport, Conn

    Sunday, March 5, 8:00 p.m.
    Former resident Rufus Wainwright will take the stage along with Ben Kweller.  Tickets are $10 for students and $15 for the general public. They will go on sale this Friday (March 3) at the Schine Box Office at noon. Tickets are available exclusively for students Friday and Monday, but will become available for both students and the general public starting Tuesday.
    Syracuse University, Goldstein Auditorium

    If you have an appropriate event for "All Tomorrow’s Parties," please send information to chelblog@yahoo.com

    (more…)

  • Sb1 Susanne Bartsch, here, here, and here. (Photo: Women’s Wear Daily)

  • Earlier this week Page Six reported that the Accompanied Library stopped by the Chelsea looking for Librar a new home, but decided against relocating here.  Too bad. We could use a library in the building.  Their noisy parties got them evicted from the National Arts Club. (Photo: fashiontribes.com) More photos on flickr.

    THE Accompanied Library – the young-fogey private book club housed inside the National Arts Club – is getting unceremoniously evicted from its Gramercy Park digs. The 250-odd members, who were just featured in the PAGE SIX magazine, must pack their books and be out March 1. Live-in residents of the National Arts Club complained about noise from the weekly parties – most vocally Tim Nye, the millionaire entrepreneur whose apartment shares the sixth floor with the Library and who sublets the space to the group. He has decided not to renew its lease. Neither Nye nor his lawyer could be reached. "The Library has outgrown its space," Alexander Jutkowitz, a Library spokesman, tells PAGE SIX. "But Tim Nye, initially a supporter, is no longer one. As it succeeded more and more, he became less and less a supporter. In the short term, we’ll move to different venues," he says. The Library recently scouted the Chelsea Hotel as a potential permanent residence, but decided against it. (Source: The New York Post)

  • Cb_2 For the sake of art, they managed to turn the Communist Building across the street from the Chelsea green last Friday.  It was very atmospheric. (Photo: musiquegirl’s flickr pool)  The building formerly housed Kalem silent film studios.

  • Tomorrow (Feb 25) at 10:30 a.m. and 1:30 p.m., a two-hour bus tour leaving from the 92nd Street Y at Dylanthomas 1395 Lexington Ave. in Manhattan takes you to spots that the great Welsh poet Dylan Thomas frequented, including the Chelsea Hotel, the Algonquin and St. Vincent’s Hospital. (Source: Newsday, Feb 24)

  • (via Craigslist) SATURDAY FEBRUARY 25TH at 2:00pm Casting Call
    New York Based TV/Music Production group seeks young female actresses of all shapes and sizes for a new hip hop music related tv pilot. We are looking for actresses between the ages of 19 and 28. You will be asked to impersonate several contemporary hip hop artists, as well as, create your own female Rap Idol!

    We are not looking for rappers who can act, we are looking for actors who can rap. You will NOT be given the opportunity to have your personal work reviewed or seen. We will be looking for gorgeous model types in addition to comical offbeat characters. Sorry guys, Ladies Only!

    Is this one for you?   Please email cRAIG@RAPCHICKSEARCH.COM and express your interest. We will get back with you in a timely fashion. Actresses chosen for pilot will be compensated accordingly.
    Time: 2:00pm – 7:00pm
    Location: The Hotel Chelsea 222 west 23rd Street New York, NY 10011

  • Ts Tim Sullivan is the guitarist for NYC’s best surf-rock band, The Supertones. 

    What do you do?
    Musician, Surfer, Dancer, Artist

    How’d you get interested in surf music?

    My dad and granddad were surfers from California, so I started to surf at a very young age, like around 1961 or so.   And in 1963 my Uncle Len Costello gave me his old flat top guitar. When I heard tunes on the radio like Rebel Rousers, Wipeout, Pipeline, and Walk Don’t Run that I wanted to play so my mother got me guitar lessons from a guy who played in a surfband and I learned all of those early surf tunes.  I later went to music school and studied classical guitar and all that stuff, but the thing I was best at was playing surf music.  I’ve put out about 10 records over the years with my band The Supertones.
    How long have you lived in the Hotel?
    Since 1982
    What inspired you to move into the Chelsea? The lead singer in the band (The Stringbuster) I was in had lived here all through the 70’s. The lead singer, the other guitar player, and myself were livin on 28th street by F.I.T., when we had to move out very quickly. And since the lead singer had known Stanley for years, we all moved into the Chelsea. Since I’ve lived here I’ve lived in 5 rooms: 522, 511, 423, 220 and 719. {That must be the record for room hopping}
    Do you think the Hotel has a creative energy?
    The Chelsea is a very special creative place here in NYC.  Everyone who is creative and famous has passed through here at one point or another.  It has a center of creative energy that is very powerful and spiritual.  I think you have to live her for awhile to really appreciate it. 
    What’s your favorite Hotel Chelsea story?
    There are many, but the one that stands out is one that happened in the early 80’s when I was livin in room 511.  The singer and the lead guitarist had got into a big fight because he was quitting the band.  And it carried out into the street in front of the hotel, and when the other guitarist got into a cab on 23rd St. the singer grabbed his very rare 150 Gibson Gold Top and smashed in into 1000 pieces as he rode off down 23rd St. in a cab looking out the back window at what just happened to his guitar.
    Who is the most famous person you’ve ever ridden with in the elevator?
    Uma

    Tell us about Dan’s Guitars?
    It has been a music store since the 30’s.  I don’t know what it was called back then, but in the 50’s it was called Interesting Records, then in the 70’s it became Chelsea Music.  I started to work there in 83-92.  When I started there we sold records, musical instruments, and posters.  The place was full of old, out of print, useless records that we couldn’t give away, so I ended up throwing out 1000 worthless records to make room for vintage musical instruments and guitars to buy, sell and trade.  It was great because I got to play guitar and listen to a lot of great musicians who pass through the Chelsea.  I learned a lot about making money and playing music.

    Tell us about one of your favorite writers, Herbert Huncke?

    Everybody loved Herbert.  A very sweet, smart man who had seen the world through the underbelly of the drug and beat scene of the 30’s,  40’s, 50’s, 60’s, 70’s and 80’s.  For an old man he had a lot to say about life and when he talked he was very articulate and well read.  I miss him.

    What is the best/worst thing that has ever happened to you at the Chelsea?

    The best was working in the guitars store.  The worst was worrying about the Chelsea being sold to some big company that wanted to turn the place into a mall for rich people with way too much money.

  • Staying at the Hotel Chelsea made blogger Tia Maria homesick for Kentucky, in a good way.  No one will be surprised to learn that she’s also writing a novel.  Our tourists are the most literary in town.

    They were shooting a scene for a movie at the hotel. Pretty cool, huh? The place reminded me of Old Louisville. I felt right at home. After a full year in Jersey, I finally realized what I’ve been missing. Old buildings. Like this.  Read more about her stay at the Chelsea.

  • Diane was an artist, a painter, though lately she didn’t work much.  While Charlie was on tour Diane roller bladed around the city.  With him gone her energy seemed boundless.  She’d sail past Cm you, almost knocking you down and you’d think she was on her way home, but no, she’d come around the block and lap you before going into the Chelsea–like she had just exactly that much more energy to use up before she could rest.
        
    Charlie was a musician in a cowboy bar band.  He wore a toupee to cover up his bald spot while he was on stage, even though he usually wore a cowboy hat on top of that.  But he didn’t wear either of them when he was around the Chelsea.
           Charlie snuggled up to Diane on the couch while they were watching TV.  He turned and tried to kiss her, pawing at her breast, but Diane scooted down the couch out of his clutches.  She took a swig of her beer and continued to stare straight ahead at the TV.  But Charlie sat bolt upright and said crossly, "You don’t like to have sex with me anymore, do you?  We haven’t done it since I’ve been back.  You think I’m fat, don’t you?"
              He was fat alright, downright obese.
              "It’s not that honey, it’s just…"
              "It’s just what?  Look, I’m trying to watch my weight, you think I’m not trying?"
               "Well…"
              
    “I am trying," he declared, "It’s not easy.  You think its so easy."
              "I know its not easy honey, but you’ve got to show a little self control.  Last night you ate that whole pepperoni pizza and that whole pint of Chunky Monkey…"

    "I did not eat that whole pepperoni pizza!”
                 "But you ate the whole pint of Chunky Monkey!"

    "I did not eat that whole pepperoni pizza!!!" Charlie roared.

    "Well, OK," Diane admitted, "I had one slice."

    "So!" Charlie exclaimed in triumph, "You admit you exaggerate."

    "OK, maybe you are trying to control yourself."
               But Charlie was on a roll: "And about that Chunky Monkey.  Here you come waltzing in the door with a pint of Chunky Monkey, like there’s nothing in the world wrong with that, la de da, and here I am trying to watch my weight."

    "The Chunky Monkey was for me," Diane said.

    "So what am I supposed to do?  That’s what I want to know.  You say I’m not trying, and then in you waltz with the chunky monkey.  La de da.  And you know it’s my favorite."

    They’re all your favorite, Diane thought.

    "And while we’re on the subject of self control,” Charlie went on, “how much did you drink while I was away?"

    "Just a couple drinks a night," Diane said defensively.  "No more than usual."

    "Oh the usual!  Well that’s not much, now is it?" Charlie said sarcastically.  Then he added, "Dan told me he saw you dump a load of liquor bottles the day before I got home.  He said he could hear it all the way down the hall."

    "I wish Dan would mind his own business."

    "When you live in glass houses, don’t throw the first stone."

    "Oh, please."

    "Dan also says you had people streaming in and out of this room night and day, including some MEN."

    "Dan is an asshole."

    That seemed a fair assessment to Charlie.  Still, he sensed he had the upper hand, so he wasn’t ready to let the matter drop just yet. "You’ve been sleeping around on me, haven’t you?" he said.

    "Now you’re being absurd."

    "Well, how about it?" Charlie insisted.

    "I’m not even going to respond to that," Diane said.

    Charlie thought about the groupie—actually a middle aged housewife–he had sex with while on tour, but he didn’t feel it would help his case to bring up this point.

    "I’m going to bed," Diane said.  She finished off her beer then got up and moved to the bed, which was behind a screen they had set up at the far end of the room.  Charlie watched TV for a couple of hours, snuck in a late snack, then he came to bed to.

    Ten years from now, still at the Chelsea, they’d be having pretty much the same conversation.  Ten years from now, her beer beside her on top of the toilet, Diane would be kneeling before the tub and giving Charlie a sponge bath to get at the places he couldn’t reach. (Copyright 2006 Ed Hamilton)