• A reader from Washington D.C. thought we would like to see Keren Ann’s "Chelsea Burns," music video.  He is right!  Go to www.kerenann.com and click the video tab and you’ll see the listing for "Chelsea Burns."  "Chelsea Burns," tells the story of Alice, a homeless woman accused of starting a fire in the hotel.

    A reader from Australia writes — your readers might be interested by this: I squealed when I found a DVD of Chelsea Girls- I’m guessing others might also? [there’s other Warhol stuff there also- bits of Edie, Brigid etc]  Not only did did we squeal, we cancelled our Netflix subscription. 
    http://www.different-movies-dvd.com/index.php?productID=177

    While we are on the subject, here are a few other Legend related videos:
    Second Run DVD now has Shirley Clarke’s Portrait of Jason available.
    Designer Zaldy’s Fall 2005 Fashion Show
    A personal favorite, Nelson Sullivan’s Christina at the Chelsea.

  • Danielreich_1

    Daniel Reich is the man responsible for turning the Hotel Chelsea’s Grand Ballroom into an artists salon.  Each week, Daniel and curator Dean Daderko, play host to some of the city’s edgiest art events.  And, best of all, the events are free.

    What Do You Do?
    I have a young gallery on Twenty-Third Street between 10th and 11th.  The website is: http://www.danielreichgallery.com.  Its been doing quite well.  There should also be lots of junk about us if you google Daniel Reich Gallery.
    How Long Have You Lived At The Chelsea?

    I’ve lived in Chelsea since 2000 I think.  I like it, but I got a bit bored of it and the Hotel Chelsea was a more interesting mix.
    What Inspired You To Move Into The Chelsea?
    Well, I wanted to move because I’d been mugged in my other apartment and I walked in and Stanley said come right up I know your gallery we have a room for you.  A lot of stuff works out fatefully in my life I guess and by luck.  I’m a sagittarius which is supposed to be the sign of luck.  Strangely my parents met outside the Chelsea.
    Do You Think That There Is A Creative Energy In The Chelsea?
    Yes definitely.  It’s much more fun than the rest of Chelsea and everything is more unpredictable.  There are always surprises.
    How Has Living In The Chelsea Affected Your Creative Development?
    Well, I think it’s been good.  I like the people who work here.  It takes me about two years to settle into a place so I still need to get a bed.  I have lots of books by my bed to read, but it’s always hard for an art dealer to read.
    Have Other Creative People at the Chelsea Or Elsewhere Influenced Your Creative Development? Well, I’m not sure, but I like the memories and ghosts of people here.  Supposedly Larry Rivers used to live in my apt so there is green paint all over the tub.  Also the hotel in the sixties is a big influence and I like having all the art around.  I like having Renee around talking about stuff.  It’s always funny to look into other apts and see what bits of  Stanley everyone ended up with.
    Who Is The Most Famous Person You’ve Ever Ridden With In The Elevator?
    Well I guess maybe Ethan Hawke.
    What Is The Best/Worst Thing That Has Ever Happened To You At The Chelsea?
    Well I like it when my lights go out.  It’s kind of a morning drama when the person next door is using the hair dryer and my lights go out and I go downstairs in my pajamas to complain and everyone at the desk is mad.  I kind of like disasters of any sort.
    Has Anyone Famous Lived In Your Room?

    Well someone said Bryan Adams and Larry Rivers, but I’m not sure.

  • Kaplan And here I thought that this blog was the Chelsea’s foray into the digital world.  According to a recent article in AdBUMb, "F’d Companies: Spectacular Dot-Com Flameouts," was written by Philip Kaplan while he stayed here at the Chelsea.  F’d Companies started out as a website tracking dot com failures. This just goes to show you, anything written over the course of three months here at the Chelsea will be a bestseller. 

    During these glory years, Kaplan parlayed F***edCompany’s success into a bestselling spinoff novel: 2002’s F’d Companies: Spectacular Dot-Com Flameouts, written during a frenzied three-month stay at the famed Chelsea Hotel. “The reason why I did that was so that every morning when I woke up, I’d remember why I was there,” he explains. “I would roll out of bed, write the book for twelve hours, and roll back into bed.”

    The result of his hotel labor? F’d Companies landed on bestseller lists from Amazon.com to the LA Times.

  • Part II: The Dysfunctional Sink

    Another time there was a design show in the hotel, with small companies selling furniture and wallpaper and bedspreads–what have you–setting up shop in various rooms throughout the hotel.  One of the companies rented the room next to mine and set up a huge sink in the little corridor outside my door—right between my room and the bathroom.  The sink, a huge, solid affair, consisted of a slab of Sink_1 black granite set atop a granite pedestal which stood upon a rectangular base topped with gravel.  The funny thing about this sink was that it had no basin: the water came out of a tall, curved spout and ran across the flat granite slab, then down the outside of the pedestal, into a drain set into the base. That, anyway, was the concept: the sink wasn’t connected to a water supply, so you just had to imagine.  There were a couple of salesmen hanging out who would help you to imagine.

                I kind of liked the sink, since, despite its size, it was sleek and minimalist, and I struck up a conversation with one of the salesmen, a big blond guy named Olaf.  “It costs $15,000,” Olaf said.  Olaf was very proud of the sink.  He spoke with a German accent, though he said he was from Switzerland.
            “Wow,” I said, “that’s a lot of money.  But I guess it’s worth it if you’ve got a fancy restaurant or something.”

    “Ja, it makes a big impression.”

    “But one thing I was wondering is, won’t the water just slop out all over the floor when you try to wash your hands in it?

    Olaf rolled his eyes and said condescendingly, “You must not wash your hands in it.  It’s more for the aesthetic experience: watching the water cascade over the sides.  You should just use it to get a drink, or to let a small amount of water trickle over your fingertips.”

    Though Olaf was nice enough, I decided that the sink was ridiculous. 

    It annoyed all the residents: a gigantic sink sitting right in the middle of everything.  With the base it set on, the sink was nearly as wide as the little corridor, and you had to squeeze past it every time you wanted to go to the bathroom.  It became a symbol for the real annoyance, which was the crowds of people streaming through the halls day and night to see this and other exhibits around the hotel.  Olaf was giving away free beer from a cooler, and that made his room especially popular: potential “customers”–in actuality mainly young hipsters who just wanted to tour the hotel–spilled into the hall, clustering around the sink, drinking and talking.  John,  a guy from the other wing of our floor, a poet, somewhat of a crank, was driven to distraction and taped up a sign saying: Please Be Respectful Of The Rights Of The Permanent Residents.  (John didn’t even live near the sink, and I’m sure I got blamed for the sign, since the next day Olaf was especially friendly and gave me free T-shirt.)  Carla, a girl from down the hall, had to squeeze past the revelers in her bathrobe every time she wanted to take a shower, enduring off-color remarks.  And at one point, when the noise became especially bad, my next door neighbor, Nancy, a dancer who slept during the day, popped out of her room and screamed at them hysterically: “Get the fuck away from my door you fucking assholes!”

    Anyway, to get back to the theme of garbage art: after a week the design show packed up and moved out.  In a pile of fliers and other materials that Olaf had thrown out into the hallway beside the trash bin, I discovered a big mounted poster depicting the sink, and detailing it’s many virtues.  To commemorate the design show, and also to remind us of the finer things in life to which we might aspire, I taped up the poster in our bathroom: a high-end, luxury sink to contrast with our retro-chic, 50s flophouse fixtures.  Where the artistic element came in was in the juxtaposition, of course.  A Chelsea Hotel bathroom seemed to be where the fancy yet dysfunctional sink naturally belonged, serving humans of it’s kind, and I was quite pleased with myself.  It stayed up a few days, and then someone took it down and threw it back into trash bin from whence it had come.  Well, people can’t just desecrate my art, now can they?  It was lucky that I found it before the trash man showed up.  I got it out of the trash and taped it back up in the bathroom, and it stayed up maybe one more day.  This time, someone tore it into tiny pieces and stuffed them into the bathroom trash can.
    Ed Hamilton 
    (Next Week: Still More Garbage Art) (Click here to read Part I: Dormority of the Deranged)

  • Monday, Nov 14, 6:00 p.m. – 2:00 a.m.
    A beautiful, sensual, healthy message party. Clothes check encouraged.
    Serena Bar & Lounge, Under the Historic Chelsea Hotel, 222 W. 23rd. St. NY NY

    Monday, Nov 14, 8:00 p.m.
    "Tell Your Friends!" If you’re into comedy then this is the place to be tonight: featuring Mike Britt, Anthony DeVito, Todd Levin, Liam McEneaney and Victor Varnado.
    The Lolita Bar, 266 Broome St., off of Allen St. — FREE

    Thursday, Nov 16, 6 – 8 p.m. and Fri., Sat., & Sun., 17 -19, 11- 6 p.m.

    SesalonChris Verene: The Self Esteem Salon.  Chris and his staff of Art World Celebrity Group Facilitators succeed in the self-esteem of visitors through cognitive and touch therapy, and photography.  Something like a day spa for your soul! Sponsored by Daniel Reich Gallery.
    Hotel Chelsea, 222 West 23rd, (Room 600) NY NY — FREE

    Thursday, Nov 17, 8:00 p.m.
    Join host Todd Zuniga as he rolls out one of the finest .reading lineups to date, including Dave Itzkoff, Michelle Orange, a short film based on Donald Barthelme’s amazing story, The School, and one by John Leary featuring kung-fu kittens, and special guest CJ Kershner, along with a mystery giveaway!
    Happy Ending Lounge 302 Broome St. @ Forsyth NY NY — FREE

    Saturday, November 19, 10:00 a.m.
    Warhol_theshadow_s The Art of Andy Warhol recreates, in part, Warhol’s 1983 Zurich exhibition, "Paintings for Children" that was designed specifically for children. The exhibition will feature 18 original Warhol paintings depicting animals and tin toys, as well as 6 screen prints from Warhol’s Myth Series including Uncle Sam, the Wicked Witch of the West and Howdy Doody.  The exhibition will give children the opportunity to:
    • Make a real silkscreen print using pop Warhol images
    • Dress up in costumes based on the Myth Series and take home a photo of themselves in costume
    • Have a family photo taken to include in a unique photo album along with their drawings, poems or special thoughts.
    The Children’s Museum of Manhattan, 212 West 83rd St., NY NY

    Sunday, Nov 20, 3:00 p.m.
    An evening of Sam Shepherd Shorts including "Cowboy Mouth," which was written with Patti Smith at the Hotel Chelsea.
    Ohio State University, Mount Hall Studio Theatre on Carmack Road

    If you have a relevant event that you would like featured in "All Tomorrow’s Parties," please e-mail the information to chelblog@yahoo.com

  • The hunt continues for accused rapist Peter Braunstein. Now a conspiracy theorist suggests that Peter has checked into the Chelsea because the ghost of Edie Sedgwick made him do it.

  • Pstower Blogger Scatter o Light reports that Patti Smith mentioned the Chelsea Hotel during her performance at Tower Records on Tuesday, November 8.

    "…and then she told a story about being in the chelsea hotel when kris kristofferson first played a song called me and bobby mcgee for janis joplin. she did a pitch perfect imitation of janis saying, "hey i like that, maybe i’ll record it…"

  • Blogger Arrested Development fondly recalls staying at the Hotel Chelsea in 1992.  And he’s saving his pennies so he can move in one day.  My dad and I went to NYC back in ’92 or so and spent a week at the Hotel Chelsea. It is certainly a place I would love to live. Seemingly rundown, but home to so many artists of so many walks of life over the decades. I wish I still had the pic my dad took of me sitting in the window overlooking West 23rd Street. The elevator seemed to have a mind of its own. It would rarely go to the right floor. Sometimes I would just try it until it got within a floor or two of mine and walk the difference. In some hotels, you might complain. But here, you just figure it’s the ghost of Sid Vicious or Dylan Thomas fucking with you. And that somehow makes it cool.

    If I ever make it rich, I will live there for as long as it makes sense to. And if I never make it rich, I promise that I will at least hang out in its lobby one more time before I die.

    Blogger WhiskeyTown’s Downtown has the same dream. …"When I went to NYC to see TT and NJChick, the first thing…the only thing, even over the friggen Statue of Liberty, that I HAD to see was the Chelsea Hotel. I wanted to see this place where artists created and had done so for 50 years.

    I have dreams that I wish to fulfill after my first 7.5 Mil dollar win. One is to go to Ireland for awhile and study celtic music. the Irish fiddle, flute, arrangements, stuff like that. And another one is to spend a few months at the Chelsea Hotel, trying to make some mark as an artist."

    I’m confused, I thought the dream was to be an artist, or a musician, or a writer and move into the Chelsea.

  • This post is for the person(s) who continues to vist this blog because they are googling the phrase "Edgar Lee Masters Poem About the Demise of the Hotel Chelsea."  Here is a copy of the poem as printed in Florence Turner’s book, At The Chelsea.  I’m not certain of the date the poem was written, but it does forecast a sad future for the Last Outpost of Bohemia.


    Edgar The Hotel Chelsea

    Edgar Lee Masters

    Anita! Soon this Chelsea Hotel
    Will vanish before the city’s merchant greed,

    Wreckers will wreck it, and in its stead

    More lofty walls will swell



    04102405 This old street’s populace.  Then who will know

    About its ancient grandeur, marble stairs,

    Its paintings, onyx-mantels, courts, the heirs

    Of a time now long ago?

    Who will then know that Mark Twain used to stroll

    In the gorgeous dining-room, that princesses,

    Poets and celebrated actresses

    Lived here and made its soul;

    In after years, so often made and unmade

    By the changing generations, until today

    It stands a tomb of happiness passed away,

    Of an era long overlaid?

    Floor What loves were lived here, what despairs endured,

    What children born here, and what mourners went

    Out of its doors, what peace and what lament

    These rooms knew, long obscured

    Will be more lost when fifty years from hence

    The place thereof will have no memory,

    When men must hunt its picture, so to see

    What it looked like amid this turbulence!

    Few now remember even the noted names

    That loved its hospitality in past years.

    Who will remember me when wrecking shears

    Clip like a leaf this room of troubled aims,

    001k_small_1 And make this window one with the sky’s space,

    By which I sat looking into the court?

    This table that I write on will not report

    My dreams, gone by without a trace.

    There will not be a seat for any ghost,

    No room left for a musing ghost to smile

    On kisses, vows, regrets, that for a while

    Made life, and then were lost.

    The blue-eyed woman who went out and in

    The entrance door, time and the tooth thereof

    Will take her, take the man who gave her love,

    Both will be lost ere twenty years begin.

    With purest love this woman was beloved;

    With pain her lover looked upon her grief,

    Her past, and strove to give her heart relief,

    Himself by Life so moved.

    All this will be but currents of the air

    Veering and lost.  Tell me how souls can be

    Such flames of suffering and of ecstasy,

    Then fare as the winds fare?

    Tell me how love that fills the human heart

    With a sense of things eternal must submit

    To what is eyeless, and is infinite,

    And hears so soon the word ‘depart/”

    Anita! You can perpetuate by thought

    What we have lived, when this hotel is gone.

    Passing its site remember I was one

    Who sought for peace and found it not.

    Remember that I loved you, scarce could bear

    My helplessness to give your spirit thrift –

    Remember this as with the tide you drift,

    Others will not remember, nor even care.

  • Daniel Reich Gallery has opened a Temporary Space in room 600 (Chelsea Hotel’s Grand Ballroom). The events are curated by Dean Daderko who chose the Chelsea because, Where else is so perfect for luminaries to come together?  It works for us too.  We hardly have to the leave the building for anything these days.  We just wait for the entertainment to come to us.

    Smflaw8 Thu., Nov. 10, 9:30 PM            The Flawless Sabrina
    Hot on the high heels of her last performance – Reading the Beads – at Gavin Brown’s Passerby, mother La Flawless wows us with her one-of-a-kind spoken words.  Scintillating!  And did you see her outfit?

    Sun., Nov. 13, 2 PM          Nao Bustamente’s Performance for Video Brunch
    Performance for Video isn’t performance documentation, but Performances for the Camera.  We will be screening works by universally recognized practitioners; plus Nao’s famous macaroni and cheese!