• Sarah is an older lady, scatterbrained, though endearingly so, with a wild mane of curly gray hair.  A jewelry designer, she’s lived here in the Chelsea since the sixties, provided gems for the Warhol superstars.
             Sarah’s large apartment/workshop is filled floor to ceiling with a lifetime’s accumulation of dusty junk: tools, boxes of metal clasps, beads, tiles and fixtures, bolts of cloth, old sewing machines, teetering piles of old magazines, you name it.  I’ve offered several times to help her clean out her apartment, which has become so cluttered that there’s not much living space left, but she’s collected all this stuff for a reason, and, who knows, never can tell when it might come in handy.

    But one afternoon she called me and said she did have a few things to throw out, so I came down to her place to help her move them out.  Mostly, it just looked like her usual trash, but she had a box or two of papers for me to carry out, and there was a metal cabinet, the drawers filled with ticket stubs and receipts and other scraps of paper, that she thought she could live without.

                When I had carried all that stuff out, Sarah said, “I’ve been thinking of getting rid of this.”

    From somewhere in the bowels of her rooms she had drug out an old drafting table.  Of dark wood, the table was worn and beaten but still sturdy and functional, with an ancient, heavy iron mechanism to control it’s slant.

    “Wow!” I said.  It was a really good looking piece of furniture, must have been seventy or eighty years old.  But then I caught myself and said.  “Yeah, get rid of it.  And how about some of these old magazines too.”

    “Those have my designs in them,” Sarah said.

    We turned our attention back to the drafting table.  “I don’t use it anymore,” Sarah said.  “Never have.  But it belonged to Charles James, so I’ve kept it all these years.”

    Charles James, a great courtier, famous for his lampshade shaped dresses, who used to live at the Chelsea.  He has a plaque on the fashion walk of fame on Seventh Ave.
              “Oh, did he give it to you?  Did you know him?”

    “I did know him, but no, he didn’t give it to me.  I think Viva gave it to me, but I can’t really remember, it was so long ago.”

    I made to seize the old table.

    “I just don’t know,” Sarah said.  “It seems a shame to throw it away.  Maybe I should just keep it.”

    “Sarah, you have to get rid of something,” I scolded.

    The upshot of this was that, in order to make Sarah feel less guilty, and just so she could get rid of something—since the piles of junk were threatening to fall over on her and bury her like the Collier Brothers–I agreed to take the table.  (I must admit too, that I harbored a secret desire to own the table—because of it’s origins, because it looked cool, and also because, like Sarah, I’m a pack rat at heart and can’t bear to throw anything out.)

    I thought for sure I was in for trouble.  My girlfriend and I had had arguments before about my habit of dragging home junk.  But maybe I was kind of hoping she would bitch me out, so that would give me an excuse to get rid of the table.

                Instead, she had even more enthusiasm than me for the table, especially because of the Charles James connection.  “Oh my God!  That’s really cool.  But what can we do with it?”

    “Well, maybe I can use it for a desk,” I said, thinking of replacing the one I had, but knowing all the while that that wouldn’t work at all.  The table was too high, and wasn’t really meant to lay flat.  It was for an artist, rather than a writer.

    Folded up as far as was possible, the table sat in the middle of our room for a year.  Everybody who came to visit thought it was really nice, but nobody actually wanted to own it.  Finally, it just got be too much of a hassle to move it whenever we wanted to get into our closet.

                Late one night, when I knew Sarah would be in bed, I set the table out by the elevator with a note on it that said: Charles James’ Drafting Table: Free To A Good Home, and it was gone within the hour.  I was sad to see it go, but glad in a way also because I felt it had gone to someone who needed it, and maybe, with any luck, someone who could tap into the energy of the old designer in a way I wasn’t quite able to.  (Copyright 2006 Ed Hamilton)

  • Monday, August 8th

    Huncke_3  Stay home and read a book or two as a tribute to former resident Herbert Huncke. Huncke, the Hipster who defined ‘Beat," died at the age of 81, August 8, 1996.  I suggest, The Herbert Huncke Reader, Guilty Of Everything:The Autobiography of Huncke or The Rough Guide to Cult Fiction.

    Tuesday, August 9th
    The one joke movie, The Aristocrats, features former resident, Eddie Izzard.  Eddie had an apartment on the eighth floor when he was starring in "Dress to Kill." I was stressing out trying to recall his joke about the hotel, but fortunately for me, Sarah Vowell remembered, "…his bit was about how he loved the hotel’s dense walls because he could scream all he wanted at his computer, said he sat in his room every night yelling, "log on! Log on! LOG ON!" No one ever heard a peep." (Chelsea Girl)

    Wednesday, August 10th, 9:30 p.m.
    NYT Sunday Styles columnist Bob Morris’ continues his "savage little cabaret, his take on life from the low-end of high society, weaving social commentary and personal narrative with parody and original song" and accompanied on the piano by new Harper publisher Jonathan Burnham. (From Publishers Marketplace) A suck-up opportunity for wanna be writers.
    The Cutting Room
    19 West 24th St.

    Friday, August 12th, 9:15 p.m.
    Mother and daughter duo Sylvia and Leecia Manning present Pierrot le Quin, a play from the story "Pierrot" by French author Guy de Maupassant.  Part of FringeNYC. (Disclosure:  A colleague stars.)
    The Connelly Theater
    220 East 4th Street


    Sunday, August 14th, 8:00 p.m
    .
    Sunday’s at Serena’s  Every Sunday is so Heavenly at the Ultra Famous Incredibly Chic Hotel Chelsea bar.
    Serena’s, underneath the Chelsea Hotel
    222 W. 23rd St.

  • According to Gawker,  Bloomberg spawn Emma and Vogue editor Sally Singer throw an iceskating party out in Brooklyn to benefit the Prospect Park Junior Commitee, whatever the fuck that is. Make sure to keep the skate blades away from any Vogue underlings required to be in attendance. [WUNY]

    My invitation was probably sent to the wrong e-mail address.

  • Tired of sitting in the dark listening to the hum from your air conditioner because you can’t even turn on a 60 watt bulb to read by or the fuse will blow — then head to the beach where there is plenty of light.  Several new works that capture the charm of bohemia are available to take along.

    CAPTURED, an oral history of indie filmmaking on the lower east side.  The New York Press reports … "In a way, the massive new anthology Captured is reminiscent of the Lower East Side itself—or at least of what the Lower East Side once represented. The hundreds of voices contained here range from the cultured intellectual to the foulmouthed junkie hipster to the sincere True Believer in the Transcendent Power of Art. In that it can at times be contradictory, frustrating—even annoying. But it can also be inspiring, lively, funny and full of unexpected little touches and absolutely unique New York characters, like Taylor Mead, M. M. Serra and the late Rockets Redglare…In many ways, the cast of characters—from Ginsberg to Steve Buscemi—reads like a who’s-who of Village hipsterdom over the past half-century.

    A respectable crew of former Chelseaites are featured. Notably, Harry Smith, who made his home at the Chelsea during the final years of his life.  Jonas Mekas and the reigning queen of bohemia, Penny Arcade are also represented.

    The Village Voice reviews Richard Hell’s new novel, Godlike.  "…a moving, scathing novel about the "love" of two male poets, the married 27-year-old Paul Vaughn and 16-year-old Kentucky prodigy Randall Terence Wode a/k/a "T."

    The two inhabit ’70s downtown NYC dives (memorably, T. pisses in a champagne glass at Max’s Kansas City), crash collating parties, haunt readings, and sit alone in T.’s dinky apartment collaborating on poems and chewing scenery as self-professed flaneurs, "godlike philosopher poets" of the L.E.S. "languorously sipping their fer mented grain as they spun ideas and mental- sensual constructions of life-language in the air for the pleasure of their own delectation."

    Hell’s earlier work of poetry "Across the Years," includes a cd that was recorded at the Chelsea Hotel.

    A Ballad for Gone America with Charles Bukowski, a CD by Tom Russell is a sonic montage of songs, voiceover narration, background instrumentals, interview excerpts and field recordings about the bohemian California of the ’50s and ’60s, when Bukowski, Jack Kerouac, Lenny Bruce, Edward Abbey, Harry Partch, Buck Owens and Ramblin’ Jack Elliott roamed. The album resembles a Ken Burns PBS documentary without the visuals. From the Houston Chronicle.

    Bukowski, of course, stayed at the Chelsea, in Janis Joplin’s room, when he came to read at St. Mark’s Poetry Project.  You can read about his Chelsea experience in his book Women.

  • Norman Gosney (who lives in the 10th floor penthouse and is the envy of the building) has relaunched "Norman’s Big Night Out."  A shimmering cocktail of Vaudeville, Vegas, Classic Burlesque, English Music Hall and all the pleasures of the Past & Present, Alive and Kicking in Downtown Manhattan.

    Scenic, 25 Avenue B (Between 2nd & 3rd)
    8 – 11 p.m. Showtime – 8:30
    Everybody pays $10.00 Norman says, so don’t call him and ask to be put on the list.

    Note:  Sarah Bernhardt lived in his apartment, John Wayne stayed in his apartment, and John Houseman stayed here as well.  You know his show is going to be great!

     

  • Last night I ran into Man w/Dog, glasses, and porkpie hat while he was walking his dog in the neighborhood.  I told him about your post on Craigslist and though he said he doesn’t turn on his computer very often he’ll check it out.  He did ask for specific details about how to find the listing.  I’ll keep my fingers crossed for you.

  • Man w/ Dog in Chelsea Hotel: Glasses, porkpie hat, carrying record – w4m – 26
    Hi there,

    We met on the first floor landing of the Chelsea Hotel tonight, just 5 after 10pm. (I was all in white.) I was trying to find the exit and you told me to stop at the 11th floor garden upstairs. You were wearing a porkpie hat and glasses and you had just come in with your dog. You also held an LP. You said, "Have a nice night," and I wished to stay longer and talk but I had to run. Please get in touch. Missed connection is too general a term. If you are married/attached, please just consider this a compliment. Otherwise, I’d love to see you again on the 11th floor. 
    Craigslist

    By the way, I know the Man/w dog.  I’ll tell him you’re looking for him.  This helps confirm that I didn’t make up the Chelsea Style List from a prior post.

  • THE BAD COFFEE

    My girlfriend likes her coffee with cream, no sugar.  So that’s what I tell them in the deli every morning when I go to get the muffins and coffee.  But you have to watch these guys, because if you turn your back on them for a moment they’ll shovel about six spoonfuls of sugar into the cup, and then you’ll really be screwed.  It’s a moral thing with them: you ought to have sugar in your coffee, whether you like it or not.

                That’s what happened one morning: I was hung over and I must have been distracted; I think I started playing with the little gray deli cat.  So when I get back to the room my girlfriend takes one sip of the coffee and declares that she can’t drink it.

                “Alright, goddamn it,” I said, annoyed.  “Give it here.”  I grabbed the cup and put the lid back on it.  “I’ll take it back.”

    “Don’t worry,” she said.  “Go ahead and eat your breakfast.  I’ll get it myself.”  She got up and made to leave.

    “Take this with you,” I said, proffering the cup, “or else they’ll try to make you pay again.”

    “No, I don’t want the hassle.  Their coffee sucks, anyway.  I’ll just get it somewhere else.”

                “Well, what do you want me to do with this?”

                “Just throw it out.”

                I did just that.  I took the full cup of coffee out to the trash bin, opened the lid, and threw it down in the can.  It landed straight up, without spilling, in the bottom of the empty bag that lined the can.

    I went back in and sat down and had a bite or two on my muffin.  About a minute later I hear this god awful racket from out in the hall: “SHIT!  AH, FUCK!”  Then somebody slammed down the lid of the trash bin.  A second or two later somebody opened the bathroom door and a moment after that slammed it shut.

    What was that all about? I wondered.  I didn’t put two and two together.  Like I said, I was hung over, slightly slow that morning. Just an unrelated bit a Chelsea lunacy, I thought, nothing out of the ordinary.  My girlfriend got back with an acceptable cup of coffee and we finished our breakfast.

                Then I went to use the bathroom, and when I opened the door I was startled to see that someone had sprayed the place with a milky brown liquid.  It was all over everything: the walls, the sink, the toilet, the mirror, even some on the ceiling.  A real mess, still wet and dripping.  Obviously somebody had got the bad coffee out of the trash and, standing in the doorway of the bathroom, slung it boldly, creatively, in a wide, sweeping arc.  The Jackson Pollack of bathroom slobs.  It was hard to believe there was that much coffee in that little deli cup.

    What on earth!?  Who could have done it?  I immediately suspected the trash man.  Who else would have got that coffee out of there?  Remembering the noises I had heard, I figured he had burned his hand, and, pissed off, had chosen to display his anger in a manner suitable to the art-infested realm of the Chelsea.

    So why didn’t I feel guilty?  Because I figured it was his own damn fault.  He only needs to empty the trash two or three times a day, but instead he empties it twenty times or more.  He goes around and grabs every little scrap of paper out of all the trash bins on every floor.  A half an hour later he’s back again, whether anybody has thrown anything in the trash or not.  If he had just waited an appropriate interval, until there was liable to be something more in the trash, it wouldn’t have happened: the coffee would have cooled, there would have been stuff piled on top of it, and he never would have burned his hand.

    Puzzling, also, was the choice of venue.  Why the bathroom? I wondered.  Why not the hallway—that was the obvious choice—or, if creativity was at a premium, the supply closet, or the elevator?

    I decided that it must have been directed at me.  He must’ve seen me come in with the coffee.  This was more than mere paranoia.  Everybody knew I was the crazy bathroom person for this floor (every floor had one), the guy who would lurk around the corner to see who was stealing the toilet paper, the guy who would make sure the lock was changed regularly so no junkies got in.  Apparently, this was a revenge sloshing, and a warning to me to avoid such offenses in the future.

    It pissed me off a little, both the part about messing up of the bathroom, and the warning part.  “I’m gonna ask that trash man about this,” I said.

    “Just drop it,” my girlfriend said.  “It’s no big deal.  It’s not worth it to get involved in somebody’s crazy games.  That’s how this place sucks you in, and the next thing you know, you’re nuts too.”

    “I’m not getting involved in anything.  I’m just curious, that’s all.”  I felt like I had to confront him.

    I threw out the deli bag with the remains of our muffins and coffee, knowing the trash man would be around shortly to collect them.  When I heard him slam down the lid I ran out there.

                Hugo, the trash man, was a middle-aged Russian or eastern European man, his face haggard, bloated from drinking, his coal-black, balding hair slicked back with grease.

    “Hey Hugo,” I said, “was that you who slung coffee all over the bathroom?

    He gave me a dirty look.  “I don’t know what you’re talking about.”  He was probably hung over too, just like me.

    “Well, I don’t care.  It’s not me who has to clean it up,” I said.  “But I’m telling Rita it was you!” I said, half-jokingly.  Rita was the maid; she would scream at Hugo and bitch him out.

    “You go on,” he said, with real hatred.  “You tell her that.”

    I tried a different tack.  “Hey, I’m sorry I threw that coffee in the trash.  I just wasn’t thinking.”

    “I burned my hand!  You must be crazy!  Who would do that, throw a full cup of coffee in the trash!?”

    “Why don’t you just wait?”

    “Wait for what?”

    “For there to be enough trash to make a load.  You don’t have to take out every single piece of trash as soon as anybody throws it away.  Wait a couple of hours and then load up you trash cart.  The rest of the time you could just be sitting around, taking it easy.”

                Hugo sighed.  “They’d just find something else for me to do.”

    Locked up in this magical fortress of bohemian madness, I had forgotten the simple lessons of manual labor.  This was one of those rare instances of relative sanity around the place.
    Copyright 2006 Ed Hamilton

  • Monday, August 1 – Thursday, August 4
    The Brooklyn Academy of Music highlights the work of independent filmmaker and former ShirleyclarkHotel Chelsea Resident, Shirley Clarke. BAM is screening her most well known works: a cinema verite-style adaptation of Jack Gelber’s off-Broadway play, The Connection (1960), about drug addiction; The Cool World (1963) + Bridges-Go-Round, focusing on Harlem youth; and Lions Love (1969), in which Clarke plays herself and former resident Viva stars. DeeDee Halleck recalls visiting Shirley at the Chelsea.  Former Resident Florence Turner’s book, At The Chelsea, also contains stories about Shirley.
    BAM, 30 Lafayette Ave., Brooklyn New York

    Now – August 6
    Last chance to catch James Paterson’s drawings, paintings and animation at Bitforms.  His father, Robert, came to town for the opening in July and stayed in 822 the room famed for being the site of the photo shoot for Madonna’s Sex Book.  Here’s what Robert had to say about the Chelsea "We had an amazing time at the Chelsea and I plan to make it my regular stop. James liked it so much he would like to live there for a while. All his friends who dropped by felt the same so the old girl still has a pull. She may be a bit tired but she still has class as do her residents and staff."
    Bitforms
    529 West 20th St. NY NY

    Thursday, August 4, 7:30 p.m.
    Patti Smith makes her first appearance since 1995 on Central Park’s Summerstage. Free.
    Rumsey Field, Central Park

    Sunday, August 7, 7:00 p.m.
    It’s the first anniversary of Cheryl B’s Atomic Reading Series and she has an all star line-up.  Chelsea author Ed Hamilton, Elizabeth Smith, Meredith Phillips and Cheryl B. will entertain.
    Lucky 13 Saloon
    273 13th St., at 5th Ave., Park Slope, Brooklyn

  • April Barton, of Suite 303, is no longer content just to be part of the Chelsea scene.  She plans to set up shop at the historic Roosevelt Hotel in Hollywood.

    By fall, the Roosevelt will house even more star attractions. Prominent Southern California chef Tim Goodell and his wife, Liza, who recently opened the restaurant Dakota at the hotel, will add a hamburger stand called 25 Degrees. The couple are also revising the hotel’s room service and poolside menus. Demme will open another, more exclusive, club named Teddy’s and New York hairstylist April Barton, whose clients include U2 and Elvis Costello, will cater to VIPs from a space overlooking Hollywood Boulevard. A spa, a gym and newly updated rooms are in the works.

    It’s a Chelsea morning at Tanglewood, where William Bolcom and Arnold Weinstein are the gurus. From the Boston Globe, July 29, 2005.

    Studying Bolcom’s works
    Singer Joan Morris and composer/pianist William Bolcom gave a master class on Bolcom’s cabaret songs to the vocal fellows of the Tanglewood Music Center late last week.

    Bolcom’s songs, written to texts by Chelsea Hotel Resident Arnold Weinstein and tailored to the 17160550_5be7f3385f_t voice and personality of Morris, have become repertory pieces for most American concert and opera singers, as well as for cabaret performers.  (Photo shows Arnold, William and Arthur Miller at the Chelsea Hotel.)

    Both artists had significant musical points to make, but they also emphasized the visual aspect of communicating. At one point, they asked a singer to perform a song on nonsense syllables, while still delivering its full meaning.

    Sally Singer tells us why Madonna & children are on the cover of Vogue.  "These are pictures of a happy family at home and that’s what is so surprising to see with Madonna."