• Excerpted from the Daily News.  Actor-turned-author ETHAN HAWKE refuses to let the critics’ unkind words about his first two novels dampen his spirits as he works on his third literary offering.

    The 34-year-old tells the NEW YORK DAILY NEWS, "JOHN STEINBECK’s first book wasn’t that good, you know?   

    "I don’t think it’s up to us to decide if our things are of quality or not. I know that sounds a little pretentious. I don’t remember any day in any age when people were talking about how supportive critics are."   

    So, I’m supposed to believe that Ethan has read Steinbeck’s Cup of Gold.  If he has, good for him.  Maybe he’ll make a movie out of it.

  • I’ve added some rather interesting links to the site lately. For example, an image of a check written by Thomas Wolfe to the Hotel Chelsea on May 7, 1938 in the amount of $10.00.  I can’t read the notation on the check, but I don’t think it was for rent.    I e-mailed the proprietor of the site that is selling the check to inquire how they came to own this “extremely scarce” item.  So far, no comment.

    Ten dollars didn’t go very far in NYC in 1938.  Two days later Wolfe cashed another check for $10.00.  “Check: The Chase National Bank, 48th St. Branch, N.Y.C., May 9, 1938, $10.00; to Hotel Chelsea” is listed as part of the Alexander D. Wainwright collection at the Princeton University library. 

    Twcheck

  • One of the CBC’s best-known radio broadcasters is leading a campaign to have Leonard Cohen receive this year’s Nobel Prize in Literature. Not that I don’t want to see a former resident receive such a great honor, but Leonard Cohen would not have been the first person to come to mind. Read the article to learn why Paul Kennedy thinks Cohen should be a candidate and/or visit  the “Ideas” website to cast your opinion.  Former Nobel Prize in Literature winners.

  • The ancient, groaning elevator is one of the best places in the hotel to meet interesting people.  In fact, you may get to know them better than you’d like to, if, as occurs with some frequency, the elevator breaks down between floors.  One day last week I was in the elevator with Maurice, a classical pianist.  We had just gotten on in the lobby, and the door was nearly closed, when an arm shot into the small crack, and the door sprung back open again.  A young man bounded onto the elevator.  Tall and muscular, he was dressed in an expensive track suit, gold jewelry.  His eyes were wide, the pupils dilated, and he was manic, hyperactive, gesticulating wildly as he spoke in a non-stop stream: “I’m looking for Walter in 536.  I really need to talk to him.  I’m supposed to be staying at his place, and he knows this but I don’t know where he is.  He was supposed to let me in.  I’ve been looking for him all day and I can’t find him.”  Despite his crazed aspect, I thought I detected a note of cunning in his eyes.

    “I don’t know him,” I said.

    “I don’t either,” Maurice said.

    “A short, balding man, with glasses.  Room 536.  You couldn’t miss him.  Have you lived here long?  You look like you have.  You must know him.  I’ve got to find him. It’s very important.”

    We assured him once again that we didn’t know Walter.

    “If you see Walter, you’ve got to give him my message.  It’s very important, please see that he gets my message.”  He got off on the fifth floor, apparently to wait for Walter.  I noticed that somehow, for all that, he had forgotten to say what the message was.

    When the door had closed and we were safely underway, I laughed and said, “Well, I guess if I ever meet Walter, I’ll give him the message.”

    “Oh, I know Walter,” Maurice said.

    “You do?”

    “Sure.  He’s a poet.  Room 536, like he said.”

    “So are you going to give him the message?”

    “Yeah, I’ll give him the message: Run.”


    Copyright 2006 Ed Hamilton

  • From Jane Fonda:  My Life So Far

    …I was Henry Fonda’s privileged daughter, who appeared to be thumbing my nose at the country that had provied me with those privileges.  More than that, I am a woman, which made my sitting there even more of a betrayal:  Barbarella become their enemy.

    I had spent the past two years working with GIs and Vietnam veterans, listening to them, supporting them.  Now by mistake I appeared in a photograph to be their enemy.  I carry this heavy in my heart.  I always will.

    The next day, departure day, Quoc said to me, "I think you need to prepare yourself. There are some US congressmen who are asking that you be put on trial for treason."  It was my broadcasts on Radio Hanoi that had triggered the charges.

    Tom was waiting for me at the airport in New York City when I landed.  He whisked me downtown to the Chelsea hotel, where we holed up for the night like two refugees.  Both of us realised that it had been a mistake for me to go alone.  But I never felt that he was responsible.  I hate buck-passers.

    As we lay in bed in our funky Chelsea hotel room, I told Tom that I wanted us to have a child together as a pledge of hope for the future.

    We held each other and wept.

    Jane was not the only activist to pass through the hotel.  Click here to read an excerpt from Country Joe’s testimony at the Chicago Seven Trial.

  • My favorite restaurant, Florent, maintains a similar spirit to the Hotel Chelsea.  This week, The New York Times restaurant critic reviewed Florent. Here are a few tips that he didn’t learn from his visit.  If you get lucky, you could end up participating in the “Guess which celebrity I waited on last week?” quiz.  But of course, you have to be able to provide a celebrity quiz in return. Your waiter/writer could be the author of the recently released short story collection, You Are Not the One.  Or, he could be the author of an Unauthorized Biography of Donna Summers.  Plus, there is much more to Darinka than her signature beehive hairstyle.  If you stop by, ask her about her latest exhibit.

  • A former resident was gracious enough to launch the 5 questions feature.  For the interview the artist will be known as WTP.

    1. What do you do?

    I work in the arts.

    2. How long have you lived in the Chelsea?

    I lived there for almost nine years from 1992-2001.

    3. What made you decide to move into the Chelsea?

    The wind blew me in when I needed a place, I met with Stanley and, bless his heart, he offered me a little studio on 4 for about $800 a month,including utilities, shared bathroom.  I planned to stay a few months but I ended up staying for years.

    4. What’s your favorite Chelsea Hotel story?

    There are so many, but I always had a soft spot for the story of Edgar Lee Masters and Alice.  Edgar Lee had given up his straight-backed bourgeoisie life to run off with Alice to the Chelsea Hotel to write poetry, even though his family cut him off for it.  They were legendary outlaw lovers, in love to the end.  Alice lived there until she died at a very old age.  The older staff will tell you that she sparkled to the end.

    Masters wrote a wonderful poem about the Chelsea.  If you can find it, you should post it.  Florence Turner includes it in her book, At the Chelsea. In it he predicts the Chelsea will cease to exist before the century ends, overwhelmed by greed and commerce.  He and Alice would be delighted to know it still survives and still has the same spirit.  Joe Myers, Casebeer, Norm Gosney and I had a party in honor of them one night on the roof garden by the pyramid, a “White Glove Party.”  The phrase comes from a ritual Edgar Lee and Alice had.  They never had much money, but whenever a chunk arrived they’d always splurge a little, “put on the white gloves and go dancing at the Astor,” as Alice put it.

    Two other favorite stories involve El Quijote, the Spanish seafood restaurant in the building, and the wonderful Arnold Weinstein.  He was there once, waiting for Arthur Miller at the bar, when he saw Joe DiMaggio across the room.  DiMaggio left  moments before Miller arrived, so they just missed each other.  They were both post-Marilyn at the time.

    Another time, Arnold had a drink there with William S. Burroughs before taking him to see a play he, Arnold, had written.  This was after Burroughs shot his wife Joan in Mexico.  In the play, a man handily shoots a grape off his beloved’s head during the first flush of their love.  Later he shoots an apple, then a canteloupe I think.  Finally,
    much later in their relationship, the woman puts a watermelon on her head and the man misses the watermelon, and shoots and kills her.
           “What did Burroughs think?” I asked.
           “I don’t know.  He never mentioned it.”

    5. If you no longer live in the Chelsea, would you ever consider moving
    back?

    If it was possible, I would.  It seems unlikely at the moment.  But I visit it regularly in my dreams where I see all my living friends there, and all my dead friends from the Chelsea are still alive and there too.
    WTP

  • Randy Cohen is proposing to create a literary map of the homes of the characters in
    New York based novels.   Since I only know about a particular haunt of a few authors I’m not going to be very helpful.  Read We’ll Map Manhattan and share your knowledge.

  • Grumpy Old Bookman doubts that this blog is a labor of love created by a part-time amateur.  He is giving the Hotel Chelsea management team way too much credit.  No one has ever accused the hotel’s managers of doing anything in a professional manner.  If this was a corporate blog there would be absolutely no mention of cockroaches.

    Eating my words. Shortly after I made the above post I found a blogger who had something nice to say about management. "So I called the Chelsea Hotel and spoke to the manager who found him a room; I love the hotel managers of NY, they always have that air of exasperated efficiency and always manage to fit you in somehow."

  • Run right out and see The Interpreter.  I haven’t seen it, but during the filming two years ago Sean Penn was around the hotel quite a bit.  It was after he had won an Oscar for Mystic River.  One day my neighbor and I were exiting the elevator and he was getting on.  My neighbor, the perky, friendly type said “Congratulations on your Oscar.”  He glared at her.  As we were walking out through the lobby she asked, “he did win the Oscar didn’t he?”