• U.S. Presidential candidate Mike Gravel (D- Sen. Ala. Retired) speaks to Queerty.com readers on June 14, 2007 at the Star Lounge of the Hotel Chlesea in New York City. Gravel expressed adamant support for the rights of lesbian, gay and transgendered Americans to the assembled crowd. More at Queerty.com
    551946594_54c7c056f8 (Photo: Your Pal Matt)

  •      It’s gratifiying to see that they’re paying attention to the Chelsea out there in the Heartland.  Joe Atkins of Mississippi’s Clarion-Ledger came to New York for a conference, loved the Chelsea — though his wife didn’t share his enthusiasm–and even managed to convince himself that the rooms here are moderatelyChelseany  priced.
         Joe’s reporting uncovered the key factoid that we are in the 7th year of a 10-year restoration project.  Though it’s nice to know it will soon be over, I think someone is not counting properly: they replaced the florescent lights and checkerboard linoleum in 96, by my counting, and surely that counts as the beginning (of the end?).
         Stanley gives a great interview, praising residents of this fair Svmug establishment as "…the most beautiful, creative, the most sensitive that ever walked the planet." (He forgot to mention: etherial, angelic, divine.) As if our egos aren’t big enough already?
         Luckilly, however, we have a powerful agent in the real world to protect us from the run-away real estate market.  As Stanley assures us, "Money is not everything. I’m trying to prove that."  Ah, but as Knute Rockne sasid to the young Giper: "Money isn’t everything, it’s the only thing." As we fly our astral planes and take our trips about the bay, young grasshoppers, lets try to stay grounded in the fact that this is New York.
         But the funniest part of the article is where Stanley disses the Algonquin, dismissing their vaunted Roundtable as a mere "dining experience." We’ll have to talk to our friend Kevin Fitzpatrick, president of the Dorthy Parker Society/Algonquin Fan Club and see if he has a rejoinder!  — Ed Hamilton

       

     

  • The other night I was sitting out on my blogging perch when a girl called out from the fire escape two floors below, “Hey, I saw you on ABC!”  “What on earth?” I wondered.  “What was I doing on ABC?”  I called down.  I must really be some kind of big time celebrity now, I thought.  I had forgotten that ABC is also the abbreviation for the Australian Broadcast Corporation.  It turned out she had seen this documentary online.  I was sitting in the same position as in the documentary, and I think that’s what tipped her off.  She turned out to be a fellow Southerner: Sarah from Mississippi.  Sarah said it would have been nice if the documentary had given the blog address. I agree.  She had also tried to find out from the people in the lobby, but for some reason none of them would tell her.   Thanks, lobbysitters.

              In case you don’t know what I’m talking about recently, we at Living With Legends were privileged to work with award-winning Australian filmmaker Michael Maher on a documentary about the changing character of New York in general and of the Chelsea neighborhood in particular.  The film, part of Maher’s Foreign Correspondent series for the Australian Broadcasting Corporation, focuses on how the McBurney YMCA on West 23 Street was converted into condos for the wealthy, and asks, will the Chelsea Hotel be next?
    A First for Blogging
    New York Magazine points out that that Maher’s film is possibly the first documentary to focus on a blog.  Though it seems odd that more has not been done in this area, it no doubt has a lot to do with the mainstream media’s antipathy to blogging.  (As mentioned on WNBC, I wore their “Blogging Summit” hat in the documentary: though the summit had more faults than I can count, it was at least an attempt by the mainstream media to reach out to the Blogging community.)  Blogs are threatening to the mainstream media for the very reasons they are important: they provide a level of intimacy and detail, and an insider’s perspective, that you can’t get anywhere else.  Even more importantly, they provide news, opinion, and information that’s not filtered through a corporate lens. (Video Courtesy of ABC)

    http://www.abc.net.au/foreign/content/2007/chelsea_hotel_200k.ram
    http://www.abc.net.au/foreign/content/2007/chelsea_hotel_200k.ram
    Launch in external player

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  • Tourists beware, if you aren’t careful, your first night at the Chelsea Hotel could end up like this.

    Credits:  Legends of the Chelsea, Snap Films https://legends.typepad.com/theswordsman601.mov

  • One of the best things about having a blog is that people give you gifts.  For example, just last week, one of our neighbors down the hall gave us a cassette tape.  Yes, a cassette tape. It was a copy of former Hotel Chelsea resident Danity Adore’s Country style recordings. The tape contains exactly what you would expect: Tennessee Waltz, Shortin’ Bread, and Your Cheatin’ Heart.  You get the point.   Since we’re from Kentucky our neighbor probably thought we’d really love the tape.  And we do!  Danity Adore’s quirky singing style is too good for us to keep to ourselves. Thanks to a tip from the folks at Funtone you too can enjoy Danity’s unique voice. The video was recorded by Nelson Sullivan one evening at Limelight.  Nelson’s film about Christina, a drag queen who also lived at the Chelsea, was shown last week at the NewFest.  The last we heard, Danity was living in California. 

  • Tuesday, June 12, 11:00 – 6:00
    DanIndexdarjeelingiel Reich Gallery is pleased to announce “Darjeeling,” an exhibition of artwork by artists Mike Smith and Jeffrey Tranchell. Both artists’ work reflects a navigation of process that preserves “the incidentals” along the way. “Darjeeling” is next in a lineage of informal exhibitions held at the Chelsea Hotel and sponsored by the Daniel Reich Gallery; by using this space, both artists exhibit their work outside of the traditional “white box” and combine their work in a domestic space as installation. While each artist works separately, exhibiting the work together emphasizes the investigative, formalist manner through which each approaches his work. The show runs through July 7.
    Chelsea Hotel, Rm. 227, 222 W. 23rd St. NY NY

    Thursday, June 14, 10:30 p.m.
    Kino_front Susanne Bartsch and Kenny Kenny invite one and all to Kino 41. Kino 41 starlets: Amanda Leopore, Lady Fag, Moondust, Furey and Andre J. For updated info on the show check the Kino 41 website.  Life is Like a Movie. Stop by every Thursday for your close up.
    135 West 41st, NY NY

    Saturday, June 16, at 3:00pm
    Jeremiah Newton will be presenting a sneak preview of clips from his new documentary on Candy Darling, Candycover BEAUTIFUL DARLING/The Life and Times of Candy Darling, Andy Warhol Superstar.  With him will be the film’s director Jamie Rasin, and the film’s editor, Zac Stuart-Pontier. Candy’s close friend Robert Heide will also speak, as will Exec. Prod. Michael Newman.

    Clips from this new documentary will be shown using archival footage and recent interviews with many fascinating people such as Fran Lebowitz, John Waters, Peter Beard, etc. etc.

    Self-created Long Islander Candy Darling, born James Lawrence Slattery in 1944, was a legend in her own time. Before her untimely death in 1974, she had appeared in and starred in films such as Paul Morrissey’s WOMEN IN REVOLT, FLESH, SILENT NIGHT, BLOODY NIGHT, SOME OF MY BEST FRIENDS ARE …, MORTADELLA, Der Tod der MARIA MALIBRAN, KLUTE, BRAND X, etc. etc. She was also an inspiration for Lou Reed’s totemic song, WALK ON THE WILD SIDE and CANDY SAYS.
    LaMAMA, 74A East 4th St., NY NY

    If you have an event appropriate for "All Tomorrow’s Parties" send an e-mail to chelblog@yahoo.com

  • The Supertones play"Bongorama"at Jimmy’s Seaside CT with roller girl on the dance machine.

  • Susan and I went to dinner in Dumbo with a couple of our friends last Sunday night.  We don’t get out of Manhattan much and so it was the first time we had ever been to Dumbo, a gritty though charming industrial area, dominated by the overpasses of the two old bridges.  Among the drawbacks, the air was a Fivefrontout bit polluted, and there was a constant hum of traffic noise.  A few new condo towers had been built or were under construction—let’s hope they are hermetically sealed.  We browsed in a nice, spacious used bookstore—the kind that are disappearing from Manhattan, then went down to the waterfront and watched the sun setting over the Manhattan skyline.  Everybody besides us was waiting in line for either pizza or ice cream.
        
    We didn’t have any specific restaurant in mind, so we rolled the dice and went into a place called Five Front that looked nice.  It was at this point that things became interesting, if not exactly pleasant.

    There were some boorish showoffs sitting at the table next to us, a party of about seven or eight, mostly men, including one older man who seemed to be the chief showoff and said he was in the restaurant business.  (Yeah, right.)  They were talking loudly (perhaps for our benefit) about Sandy Koufax and old time baseball—which seemed inane to me, though perhaps its a good way to show how much trivial information you can stuff into your brain—and so I quickly tuned out their conversation.  Service was a little slow, however, and after awhile I noticed that they were bitching about it in raised voices.

    Finally, when their food came, it turned out the waitress had messed up one of the entrées—so they claimed.  They all attacked her—especially the old man–saying, among other things, that she wasn’t good enough to be working there.  (Let me emphasize that this wasn’t by any stretch of the imagination a four star restaurant, and of course it wasn’t even in Manhattan. It was just a standard, slightly upscale, neighborhood eatery.  The waitress, a girl in her twenties, who was also serving our table, was perfectly nice, though perhaps a little bit inexperienced.)
             
    The waitress went to the kitchen to correct her error and then came back and said she didn’t think she deserved this abusive treatment for messing up just one thing.  She said maybe she wasn’t that good of a waitress, but she was trying her best.  Though she deserved respect for standing up for herself against these creeps, in response one of the men cursed her, saying “What is this fucking shit?!”

    At that point, understandably, the waitress stormed off.  Even the other people at that table knew that cursing her was stepping over the line, and they told the man who had cursed her that he shouldn’t have done that.  An older woman who was with them got up and rushed to talk to the waitress to try to settle her down, and to head off what she thought might prove to be adverse consequences.  She put her arm around the girl and whispered in her ear, and I thought, well, at least somebody from that table has a shred of decency.  But then the old woman came back to the table and laughed about it, as if to say: “I took care of her, don’t worry about it.”  Her behavior now appeared slimy and sinister, and I was appalled.

    The waitress refused to wait on them anymore and had to go down to the basement to chill out.  The rest of the wait staff took over the service of the table, and were unduly solicitous to the showoffs for the balance of the evening.

    As the showoff party was leaving, the old man purposely knocked over a bunch of water glasses, soaking the tablecloth and the check, which he subsequently threw onto the floor—or maybe it got washed onto the floor by the flood of water.  He laughingly told the hostess, “You’d better clean this up!”  Then he turned to us and remarked, “It was just that kind of evening,” as if his purposely making a mess had been a fitting climax to the rest of his disgraceful performance.

    Since the check, soaked through with water, was on the floor by our table, one of us snatched it up for a look.  $88!  (Tip: $16.)  And this was a place where the entrées were in the twenty dollar range.  The table had also had a couple of bottles of wine, and who knows what else.  They had obviously been comped for at least half their check!  I didn’t know who to be more angry with: the boorish diners, or the restaurant staff who had rewarded their obnoxious behavior.

                Now I know that this is a game that certain depraved people play, and that it’s difficult for restaurants to deal with since they don’t want to risk offending someone who might be making a legitimate complaint, but once the man cursed the waitress they should have said enough is enough—game’s over, you lose–and asked them to leave, or at least stopped serving them.  (I don’t think they would have been able to get away with this in Manhattan.) Customers are important, but so are employees.
              
    And so are the other diners.  Though the food was good—interesting appetizers including Zucchini blossoms, and entrées including tender, porcini-oil drizzled braised scallops—as was the service, and though I feel fairly certain that such deplorable shenanigans don’t go on every night, the incident definitely put a damper on our evening.  — Ed Hamilton

  • Chelsea Hotel artist Hawk Alfredson has a show up in the lobby of The Pit, an improv theater on West 29th Street.  Fans of improv comedy will appreciate Hawk’s surrealism, as it’s a form of improv in it’s own right.  Painting in a more or less realistic style, Hawk starts with the basic building blocks of our world and elevates them in combination to a to a higher, often absurd, level.  (For some reason my computer wants to change “improv” to “improve” every time.  And that’s kind of what surrealism is, an improvement on reality, an uber-reality where the meaning that’s been locked away in the collective unconscious of humanity is allowed to shine through.)  There’s usually a healthy—albeit generally subtle–dose of playfully ironic humor in Hawk’s paintings as well.

    On display are paintings from both an earlier and a more recent period.  In the former, similar to Yellowhouse_2 many paintings scattered about the hotel, Hawk demonstrates that one of his main talents is to capture the essential humanity of his characters in their facial expressions—no matter how seemingly grotesque they appear at first glance.  In one of my favorite, “The Yellow House in the Outskirts of Town,” a medieval peasant and his wife stand before their dwelling, a glow of pride enlivening the peasants features.  But then one notices that the house is oddly colored and inexplicably warped in construction, unlike the surrounding buildings.  Why should the man—or perhaps he’s a gnome or some other enchanted being–be proud of such shoddy workmanship?  It isn’t until one considers the weird mien of the wife it is intended to shelter that one realizes the  perverse practicality—strangely apropos in this magically- tweaked reflection of our own world–of structure’s design.

    The new paintings evoke a mystery world of the imagination.  The characters are more realistic than those from the earlier work, but now strangely aloof, giving us instead of their outward persona a deeper glimpse into the inner reaches of their intellect and imagination.  These paintings and more cerebral—each includes a literary or artistic joke—-but quieter, more contemplative, and somehow spookier.  In my favorite, “August Strindberg Combating his Third Eye,” the writer, in a black frock coat, stands with eyes crossed to the side of a green, pink and blue fantasy landscape that seems to have arisen—perhaps against his will–from the haunted depths of his Ha2 unconscious mind.  In a similarly-themed painting, “ The Sigh of Edvard Munch,” the painter, also in black frock coat, guides us into his own mind, now quiescent before a lake—perhaps in the crater of an extinct volcano–at twilight, the last vestiges of the day’s troubles sinking with the hot sun, now a scant red sliver on the jagged rim of the horizon.

    These landscapes remind me of the black light posters that I hung on my bedroom walls as a kid—I had one of lost city of Shangri-La–or perhaps of the covers of Yes albums.  Back in those days, the 70s, I would light incense, smoke a few hits of reefer, put on a Pink Floyd album, and lie in my bed and stare at these posters for hours.  Not that Hawk’s paintings really resemble these posters—which were no great shakes artistically–but it’s just the strangely comforting feeling of nostalgia that Hawk’s landscapes evoke.  His paintings take me back not only to my youth, but to a time when the earth was new.  His landscapes evoke a primal vibe, as if the surface crust of the present earth were scraped away to reveal an ancient layer–now reborn, fresh and ready to sprout new life.  There’s that sort of effervescent intellectual excitement to them.

    Adameve_2 So get on down to The Pit.  Debbie and I have been to several shows there over the years, and though they’re decidedly a mixed bag, they have always been funny and entertaining.  (The one I remember best was when we saw our friend Hayden and her sister Ashley perform in a “Hee Huh?” skit, a hilarious parody of Hee Haw.)  And The lobby is a comfortable, relaxing place for people to have a beer and view the art while they wait for the show to start.  Hawk’s show runs through the month at The Pit on 154 West 29th Street.  Also, he will be exhibiting 7 paintings in Charlottesville, VA for the month of June at Gallery Chelseaville, curated by Lulu Selby.   And, for you movie goers, Hawk will have two paintings featured in the upcoming film OCEAN’S 13 (premieres June 8) "Adam and Eve Still in Search of the Holy Snail" and "End of Thyme". — Ed Hamilton

    (Photo: Hawk’s painting, "Adam and Eve Still in Search of the Holy Snail")

  • The London Times recently reported on the cost of a 5 minute call to London from various hotels in New Switch_2 York, calling the rates “… a measure of how blatantly, rapaciously greedy they are – and, presumably, how stupid or submissive they think we will be when they present the bloody outrageous bill.”  The Chelsea, at $35 for 5 minutes, trumps the Trump Tower at $32.50, the Waldorf-Astoria at $20.63, and the Four Season at $17!  On the plus side, The Chelsea is not as bad as the Gramercy Park Hotel ($55), though in terms of quality of service, it should probably be somewhere down around the $9.75 charged by the Hotel on Rivington.  The Times recommended that, if blindsided with an exorbitant long distance charge, you simply refuse to pay, and instead negotiate a more reasonable rate.

    In conclusion, I think it only fair to mention that the Chelsea does offer Skype service, whereby you can phone the hotel for free over your PC from anywhere in the world.  Knock yourself out. — Ed Hamilton