• In this issue of Hotel Chelsea Newsmakers we salute the women of the Chelsea whose names begin with the letter S.

    The Kansas City Star reviews Susan Swan’s What Casanova Told Me.
    Sswan Macleans points us to Susan’s preference for holistic medicine.  And, this busy lady recently moderated a panel about the safety of a proposed new airport in Toronto.

    The New York Press tells us to not bother showing up at Susanne Bartsch’s Happy Sbxray_1 Valley Party until after 2:00 a.m.  That’s when the fun kicks in.

    Sallyandjoe_2 Sally Singer, in a recent issue of Atlantic Monthly online tells why it sucks, in a literary way,  to have chic parents.  And, moving from books to clothes, she tell us that Geisha Glam is the rage.

    Snell, Tina shares some history about the Hotel Chelsea and the Merchant Marines during WWII.

    Sienna Miller prepares for her role as Edie Sedgwick by painting with her boobs, which she claims was Edie’s hobby. 
    Factorygirlposter_2

  • Jigsaw_pieces A middle aged man in a blue uniform came into the Chelsea.  He was small, with a little round stomach, balding, with a tuft of black hair sticking straight up from his forehead.  Apparently, he couldn’t get his shampoo machine into the hotel because a moving truck was parked in the way.  He started complaining to Dennis, one of the bellmen, in a thick Brooklyn accent: “Why’d he park his truck there?  It’s a puzzle!  Now I can’t get in.  What am I supposed to do, haul the machine down the street on my back?”
                “No, don’t do that,” Dennis said.

                “It’s a puzzle, ain’t it?  Him parking his truck there like that.”

                “I think they just need to carry some furniture in,” Dennis explained.  “And then I’m sure they’ll move the truck.”

                The carpet man didn’t want to hear it.  “I’m telling you, it’s a puzzle!  Can’t understand it.  Don’t know what to make of it.  Never will figure it out.  It’s a puzzle!”

                “Yeah, I know what you mean,” Dennis said, sensing the futility of continued explanation.

                “It’s like when I was a kid.  My mother give me a puzzle.  The Grand Canyon.  It was one of those with all the pieces.  So many pieces.  Two thousand pieces it had!  Imagine that.  A real puzzle!”
                “A jigsaw puzzle,” Dennis said.

                “That’s what they called it.  Two thousand pieces!  What a puzzle!”

                “So did you put it together?”

                “No!” the carpet man said, annoyed.  “Of course not!  It was a puzzle!”
    (Copyright Ed Hamilton 2006)

  • Monday, Jan. 9, 7:00 p.m.
    David Johnston’s new play, Candy & Dorothy is based on the lives of bohemians Dorothy Day and Cd Candy Candy Darling. Candy Darling was one of Warhol’s "superstars," and starred in "Chelsea Girls."  Born James Slattery, Darling died of leukemia on March 21, 1974, at the age of 29. She was memorialized in Lou Reed’s songs "Walk on the Wild Side" and "Candy Says" and was played by Stephen Dorff in the 1996 film "I Shot Andy Warhol." (Closes January 28) (Photo by Laura Rubin)
    Theatre Three, 311 West 43rd Street, 3rd floor, NY NY

    Tuesday, Jan. 10, 10:30
    Susanne Bartsch and Kenny Kenny invite you to Happy Valley Tuesday’s MorphineMirandagaz01pix  Generation Launch and Upper and Downer Magazine Release Party. Shows by Ula and Kim Aviance.  Special Guest Hosts Astro Miranda Moondust & Cynthia.
    14 East 27th St., NY NY (Photo: Miranda Moondust)

    Wednesday, Jan. 11, 6:30 p.m.
    Charlie Huston will read from yet another new book, "Already Dead." At least this time the bad guys don’t hole up at the Chelsea.  On his blog, read how he spent part of his holiday reshelving "Already Dead" at Barnes & Noble.  I then cased the joint for sales people and finding none in sight I moved my pile of books to the paperback favorites table where it stood out nicely next to something by some guy called Henry Miller or something. Bland cover that Miller guy has, anyone reaching for his book is certain to be visually redirected to mine. Gonna outsell that motherfucker for sure.
    Coliseum Books, 11 West 42nd St., NY NY

    Thursday, Jan. 11, 11:00 – 6:00 p.m.
    Wpdowntown The Downtown Show, The New York Art Scene 1974 – 1984, offers up more than 450 items including photographs, paintings, sculptures, and letters. It’s divided in eight sections, one of which examines sexuality and identity politics while another focuses on the images of the people who made the scene. There are photos of Patti Smith, Robert Mapplethorpe, and the New York Dolls. The exhibit runs through April.
    NYU, Grey Art Gallery, 100 Washington Square East, NY NY

    All Tomorrow’s Parties — International Edition
    Tuesday, Jan. 10, 7:30 pm
    Our readers in London can celebrate the Jan. 9 birthday of Simone De Beauvoir in a literary manner.
    Hazel Rowley, author of Tête à tête (Chatto & Windus 2006), a close-up portrayal of Sartre and De Beauvoir’s relationship, and Professor Andrew Leak (UCL), author of a forthcoming bio-critical study on Sartre (Reaktion Books, 2006) will discuss the special problems and different approaches to writing biography.
    Institute Francais, Library, South Kensington, London

    Sunday, Jan. 15

    Bastudio277_1 Last chance to catch Chelsea Hotel resident David Remfry’s exhibit of his 20-year-cycle of watercolors of dancers. 
    T
    he Ferens Art Gallery, Hull

    If you have a relevant Chelsea Hotel event that you would like featured in "All Tomorrow’s Parties," please e-mail the information to chelblog@yahoo.com. 

  • Revolutionary drag-queen, Warhol superstar, and actor Holly Woodlawn was at a high point in her career when she moved into Hotel Chelsea. She had just starred in Warhol’s crossover hit Trash for which she received outstanding notices. Famous ‘women’s director’, George Cukor [the Philadelphia Story, the Women, My Fair Lady‘], was so taken by Woodlawn’s performance that he campaigned to have her included in the Best Actress category for that year’s Oscars.

    Fresh from this success, Woodlawn was moved into a room at Hotel Chelsea by the producers of a film to be called Scarecrow in a Garden of Cucumbers which would also feature a very young Bette Midler.

    Recalling her time at the Chelsea, Woodlawn writes; “the Chelsea was a grand little hotel… I had my own balcony located just beneath the grand Chelsea sign. Needless to say, my humble home was an uproar with Ondine, Jackie Curtis and the rest of the gang whooping it up on my golden terrace. We were smoking pot, shooting speed, and dipping into all kinds of jollity. Wine, weed, booze, men… it was ancient Greece all over again.”

    88_1_b [illustration: Carrie Bedsore’s own Holly Woodlawn autograph. Woodlawn is pictured with ‘Litle Joe’ Dallesandro in Trash. Holly came from Miami FLA and Little Joe never once gave it away]

    Source: Woodlawn, H. A Low Life in High Heels. St Martins Press. 1991.

    This is the second in a series of Curious Chelsea Factoids contributed by our guy in Australia.  Look for more factoids throughout the year.

  • From WFMU’s Beware of the Blog comes a tale of a failed suicide here at the Hotel Chelsea.  I find it hard to believe that someone jumped from the roof and lived.  Perhaps this is the guy we heard of who flung himself down the stairwell and bounced back and forth off of the wrought iron bannister and lived.  It’s more popular to jump down inside the hotel, since that way your ghost can haunt the actual building instead of the street.

    Folgertk72 TERRY "TK" FOLGER
    was an eccentric misanthrope, and one of WFMU’s more mentally unhinged staffers. As a personality profile, these characteristics imply that TKF (by which he self-identified) was fun, when he wasn’t self-destructive, and could be an unforgettable programmer, when not jeopardizing the station’s license.

    He arrived here around 1982. He would never have made it to WFMU had he not been a suicidal failure. In 1981, distraught over the murder of a Beatle, Folger leapt from the roof of the Chelsea Hotel, but miraculously wasn’t united with his hero. What the 23rd Street pavement couldn’t claim, AIDS did in April 1994, his infection reportedly traced to a contaminated blood transfusion. TKF was one of two staffers to die of immune deficiency syndrome just months apart (Val Sebastiano passed away in late 1993).

  • Factorygirlposter_1 And Renee Ricard hides in his room.  If Sienna had waited until the holidays to stop by maybe she could have caught the slug fest that went down in the lobby between Renee and The Painter. 
    Sienna wants to hear Edie’s voice and has been told that the brilliant artist René Ricard might have rare film footage he shot back in the day. Sienna is familiar with the hotel: Her father’s guru still has a practice on the seventh floor.

    I take Sienna behind the front desk and introduce her to the legendary proprietor, Stanley Bard. "You look like Edie," Bard says delightedly. "What was she like?" she asks. Bard shrugs. "When she wasn’t using, she was fine. But she was a drug addict. I remember Nico, I remember Ultra Violet.… It was like a cult." He directs us to Edie’s old place on the first floor. "It probably hasn’t changed since she left," he says, and he may well be right. Sienna, squinting as she surveys the room, says, "This is where she had the fire. This is where she crawled on her hands and knees." Back at the front desk, she asks Bard what caused the fire. "Candles and cigarettes," he says with the stoicism of one who has endured more than a few youthquakers in his time. "The usual."

    René Ricard, meanwhile, is not answering his phone. Nevertheless, the consensus is that he’s: a) upstairs and b) too volatile to be approached directly by Sienna. "You can’t go up there," Bard says. "He’s paranoid." He turns to a passing hotel resident. "This is the girl who’s going to play Edie," he says. "Can you take her up to see René?" The tenant edges toward the elevator. "No, man, I just got back from Europe today. I can’t. He’s crazy." I ask another. "Don’t ruin my day," he replies. "He’s crazy." Finally, another painter—a young Texan in a cowboy hat who sits all night in the lobby working on a picture of the lobby—strides over and says to Sienna, "I’ll take you up, ma’am. I can do this."

    We go up to Ricard’s floor. "Stay here," the cowboy says. We sit on a bench near the elevator and watch him disappear behind a corner in the hallway. We hear hammering on a door. Then we hear kicking of cowboy boot against door. Then we hear hammering, kicking, and yelling all at the same time: "Reneee!" The cowboy returns. "He’s not in. Or he’s not answering." (Cowboy, otherwise known as guy who paints in the lobby, I know you read the blog, send us your comments. Or, what about some of the other Chelsea folks who participated.)

    "I love this place," Sienna says. "I want to stay here."

    (Source: Blogger NYLove, courtesy of Vogue, Jan 06)

  • Hollywilliams_1 What do you do?
    My name is Holly Williams, I am currently living between Nashville and LA.
    I am a singer/songwriter originally from Nashville. Sometimes I try to
    escape the pressure of writing country songs because of my family(my
    grandfather is Hank Williams and my dad is Hank Williams Jr.) The Chelsea
    inspires me, I have been touring all year so I’m taking time off and
    currently working on my next album.
    When and for how long did you stay at the Chelsea?
    On and off many times from 2001 to the present, sometimes it’s haunted…but I trust they are good spirits. The Sid and Nancy escapade is a bit eery sometimes though…
    Do you think there is a creative energy in the Chelsea?
    Definitely! Dylan, Leonard Cohen, Hendrix, Tennessee Williams, Tom Waits…What more can I say? The list of genius names is endless….
    How has staying in the Chelsea affected your creative development?
    It makes me want to be as honest bnd raw as I possibly can. It makes me write things that I care about, and forget about what other people want. Chelsea Hotel #2 by Leonard Cohen is a brilliant song, along with many others written about that magical place.
    What other creative people at the Chelsea or elsewhere have influenced your development? 
    I listed a few of them above…from the songwriters to the authors to the incredible painters who have lived and breatheed and created there, I soak in as much of it as I can.
    What’s the best thing that has ever happened to you at the Chelsea?
    hmmm…the bar downstairs is one of my favorite places. I love taking baths and lighting candles in those old clawfoot tubs. Writing some of my best songs that were on my first album, that’s the best thing that’s ever happened to me at the Chelsea…

    Next week, jazz musician Alfred Harth takes us back to the 1970s. "Stepping into the lobby I wondered about all that art-pieces by famous people hanging like on a fleamarket & kind of dusty all over the lobby."

  • Sculptor Allen Jones mentions the Chelsea in a recent issue of the London Times.
    The painter and sculptor Allen Jones, 58, came to fame as a pop artist in the 1960s and is best known for his "furniture sculptures" of women in fetish gear. Allenjones

    We were living in New York when we found out we were going to have twins. As one of the new British pop artists, I’d been fortunate enough to enjoy some success and I’d been invited to exhibit in the States.

    So my wife, Janet, who was also an artist, and I decided to live over there for a while. We found rooms at the Chelsea hotel, which was famous then as a bohemian haunt. I was even told I could pay my rent in art work. Such is the arrogance of youth that I declined and kept my paintings.
      (Source: London Times, Jan 1, 2006)

    Chair2 We’re patiently waiting for Mr. Bard to say, "This month, bring me a blog post instead of a rent check."  Here’s a price list for a few of Jones’ paintings.  He certainly would not be able to make enough money from his paintings to pay his rent at the Chelsea Hotel today. We could use another nice chair in the lobby if Mr. Jones wants to make a donation.

  • Part II:  Sandwiches  (If you missed Part I, click here)

    Over the days that followed, more came to light.  Jerry learned that his wife had opened several secret Deluxe charge accounts over the years, which she had used to order things over the phone, running up tens of thousands of dollars in credit card debt.  Naturally, this increased his anger at his dead wife even further.  There went the three-hundred dollars a week he thought he’d be saving.

                But a week later, after the funeral, Jerry seemed to soften a bit towards his wife, and to regret that he had made her look bad.  He started trying to puff her back up:

    “When my wife was in the hospital, hundreds of people would come by every day.  Some days somebody would order twenty pizzas to feed them all, another time somebody bought $200 of chicken parmigiana subs.  For the funeral, all the cops from the neighborhood came and carried her coffin down the street wearing their dress uniforms and white gloves.  She was only fifty, you know.  Everybody loved her.

    “After the funeral I threw a big New Years Eve party.  We always used to do it, me and my wife, every year.  So this year I turned it into her wake, and everybody from the whole neighborhood showed up.  Went on ‘till dawn.  We went through dozens of kegs.”

                “Yeah, sounds great,” I said.

                “So, enough about me,” Jerry said.  “What did you do for New Years?”

    “Oh, nothing really,” I said.  “I just stayed home and read, and went to bed early.”

                “Really?!” Jerry said.  “What, don’t you have any friends?”

                “No, it’s not that,” I said, rather defensively.  “It’s just that it’s too much of a fuss.  There’s all this pressure on you to drink.  And then you just feel bad the next day.  You’re starting the new year off on a bad note.”

    This was not the right thing to say, apparently.  Jerry got mad at me, really angry.  Perhaps he felt guilty about having a party and getting drunk when his wife just died.  No doubt drinking contributed to her death.  For once he had nothing to say.  He served my cheeseburger sullenly, and didn’t say goodbye when I left.

    Jerry was never was too friendly with me after that.  He never made my sandwiches quite right again, and one time he gave me some bad chicken salad that made me throw up.  I didn’t go back so much after that, at least not while Jerry was working.

    Ymca       Donuts Sandwiches closed at the end of the 90s, the victim of the rising rents that came with the gentrification of the Chelsea area.  Its storefront was taken over by an over-priced muffin shop.  The McBurney went down too, at about the same time, and now it’s a condo building, called, cynically enough, The Y Building.  The Chelsea Hotel is the lone holdout.  (Copyright Ed Hamilton 2006)


  • Edgar The Hotel Chelsea

    Edgar Lee Masters

    Anita! Soon this Chelsea Hotel
    Will vanish before the city’s merchant greed,

    Wreckers will wreck it, and in its stead

    More lofty walls will swell



    04102405 This old street’s populace.  Then who will know

    About its ancient grandeur, marble stairs,

    Its paintings, onyx-mantels, courts, the heirs

    Of a time now long ago?

    Who will then know that Mark Twain used to stroll

    In the gorgeous dining-room, that princesses,

    Poets and celebrated actresses

    Lived here and made its soul;

    In after years, so often made and unmade

    By the changing generations, until today

    It stands a tomb of happiness passed away,

    Of an era long overlaid?

    Floor What loves were lived here, what despairs endured,

    What children born here, and what mourners went

    Out of its doors, what peace and what lament

    These rooms knew, long obscured

    Will be more lost when fifty years from hence

    The place thereof will have no memory,

    When men must hunt its picture, so to see

    What it looked like amid this turbulence!

    Few now remember even the noted names

    That loved its hospitality in past years.

    Who will remember me when wrecking shears

    Clip like a leaf this room of troubled aims,

    001k_small_1 And make this window one with the sky’s space,

    By which I sat looking into the court?

    This table that I write on will not report

    My dreams, gone by without a trace.

    There will not be a seat for any ghost,

    No room left for a musing ghost to smile

    On kisses, vows, regrets, that for a while

    Made life, and then were lost.

    The blue-eyed woman who went out and in

    The entrance door, time and the tooth thereof

    Will take her, take the man who gave her love,

    Both will be lost ere twenty years begin.

    With purest love this woman was beloved;

    With pain her lover looked upon her grief,

    Her past, and strove to give her heart relief,

    Himself by Life so moved.

    All this will be but currents of the air

    Veering and lost.  Tell me how souls can be

    Such flames of suffering and of ecstasy,

    Then fare as the winds fare?

    Tell me how love that fills the human heart

    With a sense of things eternal must submit

    To what is eyeless, and is infinite,

    And hears so soon the word ‘depart/”

    Anita! You can perpetuate by thought

    What we have lived, when this hotel is gone.

    Passing its site remember I was one

    Who sought for peace and found it not.

    Remember that I loved you, scarce could bear

    My helplessness to give your spirit thrift –

    Remember this as with the tide you drift,

    Others will not remember, nor even care.