• One of the most interesting friendships to grow out of the early 70s Hotel Chelsea scene must be that between drag-queen actor Holly Woodlawn and artist Vali Myers. Woodlawn, who was immediately intrigued by Introtemp03_r1_c2
    Myer’s facial tattoos recalls Vali as being “like an aborigine priestess. She was a pleasure to be around, and I admired her daring style”.

    One evening, at the fashionable NY restaurant, Elaines, Woodlawn was upset to hear a drunk young man talking about Vali as a ’freak’. In a rare moment of un-ladylike behaviour, Holly punched the drunk, sending him sprawling across the restaurant. Woodlawn recalls having thrown the punch in the name of all freaks and out of frustration at her own rising stardom being based on a ‘freak’ factor.

    Source: Woodlawn, H. A Low Life in High Heels. St Martins Press. 1991.

    Another Chelsea Factoid thanks to Our Guy in Australia.

  • From an article in the New York Times about the Chelsea gallery scene.17chelsea01
    Daniel Reich, another Chelsea dealer, has opened a second space at a place that so far seems inured to gentrification: the Chelsea Hotel. Called Daniel Reich temp., it will reopen in March with a group show organized by Nick Mauss. (Source: NYTimes, Jan. 13, 2006)  Well, w
    e sure hope we’re inured to gentrification, though there have been some ugly rumors floating around lately.  Maybe Andy Warhol’s ghost, who visited Daniel Reich’s temp space back in November, has some further information.  Perhaps if we study his comments we can glean some insight into this issue.

    On November 10, the Grand Ballroom of the Chelsea Hotel was a setting reminiscent of The Factory.  Thirty-nine new mattresses were artfully stacked around the room and covered with tattered shawls and afghans.  The event curator, Dean, clad in a leather skirt, drug bottles of beer from the bar to the beds.  On a stage littered with roses and empty bottles of Jack Daniels, Jack Doroshow (Flawless Sabrina), rang up Andy Warhol, whom I assume is comfortably situated somewhere in the Grand Ballroom of the Beyond.   Flawless brought Andy up to speed on what’s been going on:
    Fulljd
    JD:  Hello Andy, I’m in the Chelsea Hotel.

    JD:  Yes Andy, the Chelsea is still standing.  I know, it’s beyond human comprehension.

    JD:  No, Andy, it’s not a Shining Palace on a Dark Street No More, its bright sign has been eclipsed by all of these monstrosities.

    JD:  Gawd Andy remember all of the fun we used to have in the lobby.  You don’t? Well I do!

    JD:  Yes Andy, I know that Valerie Solanas used to live here in the Chelsea, but I didn’t want to bring that up.

  • Rlstudio Robert’s answers are succinct, but as they say, a painting is worth a thousand words.  Robert sent us a recent photo taken in his studio, which is located in a room formerly inhabited by Arthur C. Clarke.  In between stops at the Chelsea, Robert can be found cafe sitting at La Palette in Paris.

    How long have you lived at the Chelsea? This time, three years.
    What inspired you to move into the Hotel? Its the only place that feels like home.
    How’d you score your apartment? I called Stanley from Paris, he told me "no problem"
    Do you think the Chelsea has a creative spirit? There is a lot of different kinds of energy and intrigues here, thats what gives it its creative juice.
    How has living at the Chelsea affected your work? It has allowed me to find new expressions.
    What is the best/worst thing that ever happened to you at the Chelsea?
    I found the only muse i ever had at the Chelsea.
    Do you know if anyone famous has lived in your room?
    Arthur C Clark

    Robandtourist_2 Stop by the lobby anytime and view one of Robert’s paintings. Sometimes you’ll even find Robert himself sitting there talking on his cell phone.  Just don’t criticize his painting if you know what’s good for you.

  • Readers of this blog are going to be thrilled to learn that one of our nice neighbors has taken this crazy Internet thing to the next level and launched 17chelsea01_1 Chelsea Hotel Vlogs and Pods.  Before it’s too late to vote, let them know which "dead or near dead resident you’d like to hear from in upcoming podcasts."  Not that we repeat gossip, but we hear that a few of  Ed Hamilton’s "Slice of Life" columns may be going straight to video, via the Vlog, so stay tuned.

    Another new blog that I’m going to be following is Crazy Fingers.  Written by Larry Person, the blog is about the Grateful Dead and about the yuppies taking over the Chelsea neighborhood. Recently,  Larry posted quite a bit about the Grateful Dead’s rooftop gig here at the Chelsea Hotel in 1967.

  •      A semi-famous painter, an abstract expressionist who studied in Paris in the forties and fifties, Mr. Flore Peyton was gray haired, stocky, lumbering like an old bear, genial.  He was always cheerful, though sometimes slightly addled, forgetful, since he was after all in his eighties.  He was sociable, and always stopped to shoot the breeze, sometimes beneath his own large canvas, which hung prominently, in a place of honor in the hotel lobby.  One sensed he had had a good life, over all.  You never heard him complaining.
         Mr. Peyton had one of the best apartments in the whole building, on the tenth floor, filled floor to ceiling with his paintings—really a studio, an atelier, I suppose, though he worked only sporadically now—which opened onto a huge patio on the roof.
           I was up on the tenth floor visiting friends one evening, when the fire alarms went off.  We all piled out into the hallway to see what was going on, just in time to see smoke streaming from the open door of Mr. Peyton’s apartment, rolling out along the ceiling.  Mr. Peyton stood there outside his door, frantically fanning at the air.
         “What happened?” I asked.  “Are you OK?”  Everybody on the floor was popping their heads out of their apartments to ask, basically, the same question.
         “Don’t worry, it’s just steam,” Mr. Peyton said.  “I overflowed the tub.”
         Of course, nobody believed that for a moment.  The hall was filled with smoke, not steam.
         “We’d better go downstairs and wait until it clears,” I said.
         “No, it’s nothing,” Mr. Peyton said.  He refused to go downstairs.
         He was right that it wasn’t much: Mr. Peyton had burned something in a casserole dish in the oven, forgot he was cooking and dozed off.  The fire had gone out before the firemen even arrived, though they made a big fuss with their sirens and about fifty of them tromping through the hotel lobby.  Better safe than sorry.  Most of the residents didn’t even notice it anyway.
         Mr. Peyton’s children got wind of the incident, of course.  Now his son came to live with him, to take care of him, to make sure he didn’t try to cook anything too ambitious.
         A few months later I noticed that I hadn’t seen Mr. Peyton lately.  Hoping that he wasn’t sick, I asked his son what had become of him.
         "He’s in France," the son said.
         “Oh,” I said, surprised. “What’s he doing there?”
         It turned out they had put him into a nursing home there.  The time Mr. Peyton had spent in Paris in his youth had apparently qualified him for government benefits, including a free stay in a nursing home.  “I checked out several places upstate, and even in New Jersey, but they were all too expensive, they wanted an arm and a leg,” the son said.  “We won’t get to see him that much now, but we decided that this was just the best situation for him, over all.”  Now the son lives in Mr. Peyton’s old apartment with his wife and two kids.
         Now we tease all the older residents, especially the ones who burn candles: "One slip up and it’s France for you!"  But after all, I think it was less the fire itself, than the story about the tub and the steam that did Mr. Peyton in.  That and the great apartment.
        
    It all sounds rather grim, but I like to think that maybe it didn’t turn so bad for Mr. Peyton.  France, after all.  Rather than New Jersey.  Mr. Peyton used to hang out at the Dunkin Donuts on Eight Ave., one of the few in the city that had outdoor seating.  He told me once that when he sat there he would often find his mind wandering, and he would catch himself thinking, just for a moment, that he was back in Paris, sipping his coffee, at a cafe on the Boulevard St. Germain. (Copyright Ed Hamilton 2006)

  • Monday, Jan. 16, 7:00 p.m.
    Ethel Wigstock 87 a video tape by Clayton Patterson.  This one hour show includes performances by Ethel Eichelburger, Joey Arias, Nelson Sullivan, Dean and the Weenies and more all filmed in the old band shell in Tompkins Square Park. (Photo: a mask depicting Ethel Eichelburger)
    Pioneer Theater, East 3rd St., NY NY

    Tuesday, Jan. 17, 10:30 p.m.
    Susanne Bartsch & Kenny Kenny invite you to Happy Valley Tuesdays Steven Knoll New York after party.  Show by Taboo, DJ Junior Sanchez.
    Happy Valley, 14 East 27th St., NY NY

    Wednesday, Jan. 18, 12:00 – 8:00 p.m.

    Blackfiftyballgownchifsm_1 Former Hotel Chelsea resident Charles James’ fashions are included in the new permanent exhibit at The Fashion Institute of Technology. 
    FIT, Seventh Ave. at 27th St., NY NY

    Thursday, Jan. 19
    You’ll have to hike over to Daniel Reich’s other space to check out the Jack Pierson show "Early Work & Beyond," which closes on Jan. 28.
    537 W. 23rd St., NY NY

    Friday, Jan. 20,
    "The Summer of Love" has been relegated to a museum in Germany. On display are 350 works of psychedelic art from an era that ran roughly from the mid-’60s to the Jjcar_1 early ’70s. These include not only paintings, photographs, posters and handbills but also light shows, films and environments.  Amongst the artifacts on display is Janis Joplin’s psychedelic Porsche.
    Schirn Kuntshalle, Frankfurt, Germany

    Saturday, Jan. 21 & Sunday, Jan. 22
    Keren Ann is one of several international musicians taking part in GlobalFest at Joe’s Pub.
    Joe’s Pub, 425 Lafayette St., NY NY

    If you have a relevant Chelsea Hotel event that you would like featured in "All Tomorrow’s Parties," please e-mail the information to chelblog@yahoo.com.

  • Slate From an interview with Patti Smith published last week in Slate.

    "When we (Patti Smith and Robert Mapplethorpe) moved to the Chelsea Hotel in 1969, I met a lot of poets and writers and developed my poetry more. In Brooklyn, I had worked on drawing, but in the Chelsea Hotel I saw Allen Ginsberg or William Burroughs every day. Gregory [Corso] was there, Jim Carroll—so poetry was a very strong force then," she said. One day, she asked the guitarist Lenny Kaye to plug in and add some musical accompaniment during a reading she gave in St. Mark’s Church. Her performative gifts were self-evident, and she became a rock star almost instantly. In the oral history Please Kill Me, an early publisher of her poetry, Victor Bockris, recalls thinking, "She’s an asshole, but she’s really good."

  • Painter Jan Cremer has added more photos taken at the Chelsea Hotel to his website.
    Jan & Nico, and Jan in room 403 in 1966.

    Cremer42

    Jcwork403

  • If you were at the Hotel Chelsea back in 1978 you would be grabbing your coat and heading to the fire escape.  I was recently talking to one of my neighbors about the big fire of 1978 and she recalled that Fire Tex, who used to always play music in the lobby, knocked on her door and told her about the fire. She said unlike most other fires in the hotel, this one filled the whole place with smoke and everybody had to get out. She was able to go out a window onto the fire escape and was picked by the Fire Department’s "cherry picker." 
    ‘Completely Black With Smoke’
    A fire on the third floor of the Chelsea Hotel late last night killed one man (Michael Richards, a 34-year old artist) and sent hundreds of residents of the 11-story building fleeing down fire escapes and into the freezing rain.  A woman who had lived at the Hotel off and on was questioned by the police in connection with the fire.   (Source: New York Times, Jan 14, 1978)  (Photo: Photoshopped fake)

    Keren Ann’s song "Chelsea Burns," on her "Nolita" CD references the fire.  (Portions of the music video were filmed on 23rd St. and on the 8th floor of the Hotel.)  The CD also contains a second song, "Alice," dedicated to the fire starter.
    Twenty-third was empty
    I heard somebody yell
    A straight-laced passerby’s
    Pulled over the Hotel
    And Chelsea burns
    Chelsea burns
    Under my feet

    If you were around for the fire, we’d enjoy having your comments.

  • AlfredWhat do you do?
    I am a jazzmusician/artist from Frankfurt/Germany. Now I live in Seoul since 2001.

    When and for how long did you stay at the Chelsea?
    First time in 1975.I had arrived late at night from Germany & could not reach my friends in NY.  So I asked a taxi-driver to get me into a fitting hotel. He drove me directly to the Lobby1972 Chelsea – he seemed to be an artist himself. Stepping into the lobby I wondered about all that art-pieces by famous people hanging like on a fleamarket & a kind of dusty all over the lobby. I did know nothing about the Chelsea. Also many years after I had stayed there not. For me it just was a hotel in New York which was strange to me anyhow at those times…  (Photo:  Lobby, 1972)

    The second time I went there to celebrate my stay more consciously.I was attending the Beat Generation Conference at NYU in 1994.

    What inspired you to stay at the Hotel Chelsea?
    In 1994 I just wanted to be on the traces of the Beats somehow.
     
    Do you think there is a creative energy in the Chelsea?
    Yes, I did some artistic works in my room. Liked the stairs too & a dolphin altar.
     
    Beat1994 Did staying at the Hotel Chelsea affected your creative development?
    It was nice to have been there. (Photo: From 1994)
     
    What other creative people at the Chelsea or elsewhere have influenced your development?
    People in the elevator.
     
    What’s the best/worst thing that has ever happened to you at the Chelsea?
    Being taken to a dark patina office with strange old frescos at the ceiling and a big safe in it…