• Gc

    George’s work hangs in the lobby of the Hotel Chelsea where many have admired it for years.  Last year, we had the pleasure of hearing George read his poems of life and love in the Chelsea at the Bowery Poetry Club.  Like many Chelsea residents, George was a long time member of McBurney Y until they moved to 14th St.  At left, George’s response to their move.  Living in the Hotel Chelsea since 1972 has taught George a valuable lesson: never ask Women and dogs about their age. 

    What do you do?
    I’m an artist, author and curator of Tribal Art.
    How long have you lived at the Chelsea?
    Since1972. I came here directly from the Kennedy airport and never left.
    What inspired you to move into the Hotel?

    Whenever I divorced a wife, she kept the house for her self. Here I can live forever. It’s Stanley Bard who owns the place, not me.
    Tell us about your apartment so we can all be envious.  It’s large, very comfortable and sound proof as the Jericho walls before they crumbled.
    Do you think that there is a creative energy in the Hotel?  For sure as long as the guys don’t keep talking about it in the lobby.

    How has living at the Chelsea affected your creative development?  It effected very positive my sales. When collectors talk about me and don’t recall my name, they refer to me as the "the guy fromGcpaint  the Chelsea Hotel"
    What other creative people at the Chelsea or elsewhere have influenced your development?
    Native art and decorative arts from different countries and periods.
    Who is the most famous person you’ve ever ridden with in the elevator?
    I have met many famous people in the elevators since 1972. In the Seventies we have had more time to talk to each other because the elevators used to hung/stuck between the floors very often. Alas, those good days are gone for good. I still remember my first encounter with Charles James in the mid Seventies. I made a fatal mistake when I asked him about his dog’s age. He was very upset and kept telling me how rude and insensitive I am. He never took the elevator with me again. I think he was terrified of his own age, anyhow I learned my lesson: I’d never ask women and dogs about their age, Never.
    What’s the best/worst thing that has ever happened to you at the Chelsea?
    The big fire in the Seventies that destroyed many of my paintings. The good thing it never happened again because I checked out of that damn studio.
    Do you know if any famous folks have ever lived in your room?

    Yes.  O’Neill. He wrote Morning Becomes Electra in my apartment. Also Lord Baltimore . . . My cat.

    What is your prediction for how much longer the Chelsea can hold on to its Bohemian ways?
    As long as there would be Bohemia, which I doubt  if such thing would exist any more in the Age of Big Bucks.

    Chelseagirls3_1
    The Chelsea Girls

    Danger, Love at Work
    Too Hot to Handle
    Too Dangerous to Love
    The Chelsea Girls

    Rough, Tough and Ready
    Sally, Irene and Mary
    Girls about Town
    Romance in Manhattan

    They Drive by Night
    They Passed this Way
    Hotel Paradiso
    Their First Mistake

    Thief of Hearts
    The Girl with Red Hair
    Sex, Lies and Videotape
    The Romantic Age

    She’s Out of Control
    The Girl in the Hall
    She wouldn’t Say No
    The Thrill of It All

    Dangerous When Wet
    The Girl from Avenue A
    Naughty but Nice
    The Girl of the Golden West

    Daydream Believer
    The Small Town Girl
    Wild and Wonderful
    Between Midnight and Dawn

    She’s Got Everything
    The Girl Next Door
    Those Eyes, That Mouth
    It’s Pity She’s a Whore

    Dressed to Kill
    The Girl in Room 17
    Too Young to Love
    Too Young to Kiss

    There’s That Woman Again
    The Girl Downstairs
    Hole in the Head
    Trouble All the Way

    She Wrote a Book
    The Singing Fool
    Third Finger, Left Hand
    The Rough and the Smooth

    True Heart Susie
    The Girl in Overalls
    A Free Soul Rosie
    Beautiful but Broke

    She Wore a Yellow Ribbon
    The Flirting Widow
    Fire Down Below
    Under the Red Robe

    Million Dollar Baby
    The Misleading Lady
    True Lies Double Deals
    Broken Vows

    The Show Goes on
    Nasty Habits
    Risky Games
    Pretty, Dirty Things

    Kiss Me Stupid
    Kiss and Tell
    What’s a Nice Girl Like You
    Doing in a Place Like This

  • 2004_08_dcombs1_1 The guy who paints in the lobby has launched a live journal page.  Maybe we can count on him for some juicy lobby gossip.

    Former Hotel Chelsea guest Carrie Bedsore has captured a few screen shots from the new TV Monkey02series “Love Monkey.”  In the shot on the left you can see two-fisted painter Robert Lambert’s painting in the background.  They better not be criticizing that painting — especially not on network television!

    Sparkvic751167_1 Former resident Sparkle Hayter adds fuel to the Frey discussion and shares some Chelsea Hotel memories while doing so. (Photo: Sparkle at the Chelsea in Nov. 2005)

    VlogOver at Chelsea Hotel Vlogs and Pods they celebrate the successful conclusion of their "Pickers & Grinners" series and gear up for vlogging Ed Hamilton’s Slice of Life column.

    Xxlobby_1

    Finally, a mystery Blogger/Painter captured the lobby scene during his visit to the Hotel Chelsea back in May and just recently posted it on his blog.  Is that Nicky?

  • In my first year at the Chelsea I wrote a story called “Movado,” about a guy who tried to sell me a fake Movado watch when I was moving into the hotel.  It was published in Pif magazine, and then I Movado promptly forgot about it.  Ten years later, a guy from Washington, DC—Jose Padua—read it and wanted to make it into a short film.  Since he was from out of town, my girlfriend and I volunteered to pick up a fake Movado to use as a prop in the movie.
    Canal street was the obvious place to begin.  We went down there on a Saturday afternoon, when the hustle and bustle of the street life was at its worst, the throng of tourists pressing in upon the shop-keepers and hustlers selling scarves and costume jewelry and DVDs recorded straight from the screen.

    The first place we stopped was a tiny little shop crammed full of fake Gucci and Kate Spade purses.  They didn’t have any watches sitting out, but at the mention of the magic word Movado a young Chinese girl hustled us toward the back of the store.  I didn’t see any watches back there either, but then the girl swung open a hidden door in the shelves and ushered us into a secret back room.

    “Don’t go back there," my girlfriend whispered.

    “What’s the matter?” I asked.

    “You could be knifed or robbed.”

    “Yeah, and they’ll sell you into white slavery,” I scoffed.

    I wasn’t going to miss out on a chance like this.  I’d always heard there was a network of secret tunnels running beneath Canal street, linking all these shady establishments, concealing hidden sweat shops and gambling dens, and making for quick escape when the heat was on.

                Disappointingly, we didn’t go down any tunnels, just into a small back room—though it did look like there were further rooms beyond that one.  An old Chinese man lifted a cloth from a display case, revealing the hidden cache of Movados, along with a bunch of other crappy fake watches such as Rolexes, and I don’t know what all else.  In fact, he didn’t have a real good selection of Movados, only about three or four, and I wouldn’t have worn any of them, even if they had been real.

    Still, the watch wasn’t for me to wear.  “How much?” I asked.

    “Twenty-five dollars,” the grim-faced man said.

    “That seems like an awful lot,” I said.

    “For a Movado!?  No one has ever complained before.”

    That seemed implausible.  The guy eventually came down to sixteen dollars, but it still seemed a bit steep.

    We looked in the next little shop, but they didn’t have any Movados.  Rolexes seemed to be what everybody wanted.

    Out on the street, a large African man—he was at least six-five–came up to us.  He had apparently been watching us and had seen that we were looking for watches.  “Here, you need a watch?” he said.  He showed us a Rolex he was wearing.

    “A Movado,” I said.

    “Rolex is better than Movado,” he said.

    “No, we only want Movado,” my girlfriend said.

    “I’m telling you, Rolex is much better!”

    We started to walk away.

    “Wait a minute!  Wait a minute!”  He grabbed me by the arm. “You want Movado, I got your Movado.  Come with me.  Step over here for a minute.”  He directed us over toward a side street.

    I was a bit hesitant—he was kind of intimidating–but there were plenty of people around even on the side street, so we went with him.  Furtively glancing back and forth, he pulled a watch case out of the thigh pocket of his cargo pants, and opened it to reveal a blue-faced Movado.

    I’d never seen a blue one before.  “How much?” I asked.

    “Eighty-five dollars.”

    “They’re selling them for sixteen dollars inside,” I said.

    “Those watches are fake!” he declared.  “You don’t want a fake one, do you?”

    “Hell, I don’t care.”

    “Alright!  Alright!” he said.  “But I’m losing money on this deal!”

    The blue Movado looked pretty cool, and it had a case, which was a nice touch, so I figured it was worth it.  Plus, I was afraid the man would kill me if I didn’t buy it at this point.

    I took out a twenty and tried to hand it to him.

    “I said sixty dollars!” the guy yelled in my face.

    I decided to risk death.  “Oh, OK,” I said.  “No thanks, then.”

    Hopping mad, the man snatched the watch back.  “Mine is real!” he exclaimed.  “It’s not fair!”

    He turned and walked quickly away from him.

    “It’s just not fair!” he yelled after us.

    I don’t know if he was referring to my own refusal to be ripped off, or to the business practices of the Chinese who were undercutting him.  But it turns out it wasn’t so hard to find fake Movados after all.  We eventually bought one from a guy who had a table set up right on the street.  No secret rooms or anything.  It wasn’t a blue one, but it looked almost as good.  We paid ten dollars, and though we probably could have got it for less, by that point we were sick of dealing with the

    Canal Street scene, which gets old pretty fast.

    And come to think of it, I guess I could have saved myself even more trouble if I had just bought one ten years ago, since obviously, despite my resistance, I was destined from the beginning of time to own a fake Movado. (Copyright 2006 Ed Hamilton)

  • Tnsbartschkkenny_120605 Tuesday, Jan. 31, 10:30 p.m.
    Tuesday keeps getting hotter and hotter.  This week Susanne Bartsch and Kenny Kenny welcome John Waters and Here! TV Premiere… Plus Michael T. and The All Whore Star Birthday Bash.
    Happy Valley 14 East 27th St., NY NY

    Wednesday, Feb. 1,  8:00 p.m.

    Joni It’s a big butterscotch flavored evening at Carnegie Hall.  Joining the celebration of Joni Mitchell, who of course wrote "Chelsea Morning," will be Shawn Colvin, Suzanne Vega, Marc Cohn, Laurie Anderson, Tracy Chapman, Judy Collins, and more.  Keren Ann is not listed, but it is rumoured that she will participate.  (Photo: Joni Mitchell and Eric Anderson, Chelsea Hotel 1971)
    Carnegie Hall, 57th St., at 7th Ave., NY NY


    Saturday, Feb. 4, 8:00 p.m.

    Sallymount For our readers in LA, we recommend "Sally on the Mount."  According to Jeanne Darst, writer and performer, the show does mention the Chelsea Hotel, albeit briefly. One of the characters (an Irish Madame) lives here in the late 70s. This is a fictional play, however, and the character is not based on anyone.
    FLUXCO, 2042 Bay Street, LA CA

    Sunday, Feb. 5
    Former Hotel Chelsea resident Leonard Cohen will be inducted into the "Canadian Songwriters Hall of Fame."  Willie Nelson and Rufus Wainwright are scheduled to pay tribute and sing his classic songs. You can listen in on CBC Radio One on Feb. 6 starting at 11 a.m., with a two-hour broadcast that same day on the Radio Two service starting at 8 p.m. Radio-Canada’s Espace Musique will air a highlights package on the 6th from 10 a.m. to noon.

    If you have a relevant Chelsea Hotel event that you would like featured in "All Tomorrow’s Parties," please e-mail the information to chelblog@yahoo.com

  • Nice profile of Rosanne Cash in the Jan. 22 issue of The NYTimes.  We learn that Rosanne’s daughter is named Chelsea 29roseannecashand she reminds her mom of a Southern, female, Leonard Cohen when she sings.  If that’s not enough of a Chelsea connection, about a week and a half ago a couple of our favorite lobby sitters were uprooted to make room for a crew shooting a Rosanne Cash music video here at the Hotel.

    Leonard Cohen I’m your Man, a documentary on Leonard Cohen, was screened at Sundance last week.  Speaking quietly but unguardedly, Cohen appears amused when discussing his lifelong dislike for blue jeans, his following among young “punksters” and his regrets about once revealing that “Chelsea Hotel” was written about a sexual encounter with Janis Joplin. “She wouldn’t have minded, but my mother would have minded,” he says of his indiscretion. 

    Lou Reed joins the list of folks who are attacking the new biopic "Factory Girl." "They’re all a bunch of whores," the rock god tells us…" "I read that script," Reed said the other night at a party for his new Louandy photo shows at the Hermès boutique and the Steven Kasher Gallery. "It’s one of the most disgusting, foul things I’ve seen — by any illiterate retard — in a long time.  There’s no limit to how low some people will go to write something to make money…"(Source: Daily News, Jan 23).

    The highly coveted Sundance Channel gift bag which is given to 250 pre-selected individuals contains a full year membership to the chic David Barton Gym, including five private training sessions.

    Hotel Chelsea resident Marshall Allan discusses his passion for art.  "He now travels to art fairs around the world, spends weekends at gallery openings and employs art advisers. He even moved into the Chelsea Hotel because of its history as a hub for artists, and met his fiancee, Karen LaGatta, through art world connections."  (Source: Crains New York Business, Jan. 23, 2006)

    For free, courtesy of the International Hearld Tribune, here’s Hotel Chelsea resident Michael Rips’ article about Seydou Keita.  Art world intrique about who controls the after life of an image.

  • Deeback Photographer Theresa Kereakes conducted some market research for a coffee table book that she is publishing.  She learned that the public wants to see photos of Dee Dee Ramone and Stiv Bators.  But her burning question is, do you want to see backstage photos or performance shots?  My answer: both. Go to her site, Punk Turns 30, to vote! 

    For more about Dee Dee here at the Hotel Chelsea read Ed Hamilton’s "Slice of Life," Dee Dee’s Challenge. Somebody new had moved into the room next door.  I had heard him moving his stuff in late the night before, but as yet I hadn’t met him.  He was quiet now, just before noon, apparently asleep…

  • Gerardku Gerard has sent us an excerpt from the last half of his novella, RED SEX, white drugs, Blue Rock n Roll, a fictionalized account of his trip to New York and his stay at the Hotel Chelsea. He has a tip for tourists: It’s easier to score a room if you stay in the middle of the week.  He also had some advice for Stanely Bard: please sell a list of who slept where — that is, of their room numbers.

    What do you do?  civil servant

    How long did you stay at the Chelsea? only spent one night; this was in early September of 2005
    Why did you decide to stay at the Chelsea? When I’ve read about all who have lived and passed thru there, I knew I wanted to be a part of that in at least some small way.
    How did you score your room? made sure to order for the middle of the week to better get a room; ordered a month in advance over their website
    Do you think there is a creative energy in the Chelsea? I have no doubt there is an osmosis-like effect between the building, its history, and the current residents. The Chelsea is like a huge collage of life and livelihoods.
    How did staying at the Chelsea affect your creative development? Helped me finish my novella! : )
    What other creative people at the Chelsea or elsewhere have influenced your development? Bukowski
    Who is the most famous person you’ve ever ridden with in the Chelsea elevator? the guy that showed me my room; I  always took the stairs after that to see all the art
    What’s the best/worst thing that has ever happened to you at the Chelsea? my room wasnt ready when I got there; gave me time to see all the works in the lobby
    Do you know if any famous folks have lived in your room? no- they should sell (or give) a key/directory of who stayed where at the front desk; that would be very popular.

    Excerpt from RED SEX, white drugs, Blue Rock n Roll,

    “What’s the good word?” the cabbie asked.

    I told him to go to the hotel in Chelsea.

    I thought the people in Los Angeles drove bad and reckless.  This guy was like the Road Warrior.  I tried to avoid looking straight in front of us during the trip.  Thankfully, the trip wasn’t too long, and I arrived at my hotel in one piece.  I paid and tipped the cabbie and went into the lobby.

    The lobby was much smaller than I thought it would be.  There is an ornate fireplace and several large paintings hanging on the walls.  One of the resident artists was also here at the time of my check in: chair, stand, easel and all painting something.  I’ve heard that some of the artists give one of their works as payment for rent.  Somehow I didn’t think it also applied to writers.

    I go to the front counter where two elderly but active gents were working.  Between them yaking at customers, the phone, other employees, and each other they were busy, busy, busy, busy, busy, busy, busy, busy, busy, busy, busy, busy, busy, busy, busy, busy, busy, busy, busy, busy, busy, busy.   But they did managed to get to me eventually.  I checked in and followed an employee up to my room. 

    From the outside it looked like this hotel should be on life-support, and from the inside you realized that it already was.  If it was any other hotel, it would be written off as a fleabag or a glorified flophouse.  But this was where Dylan Thomas lived till the night he died.  This was where Sid Vicious committed murder as part of an alleged suicide pact with his then girlfriend.  This was where Bob Dylan wrote a song, and where Jackson Pollock and William De Koonig made art.  It was the place for Jimi Hendrix, Janis Joplin, and Dee Dee Ramone.  No, the hotel’s rich history and legends were its paint, plaster, and plumbing: holding it altogether.

    The main interior reminded me of the Bradbury Building in downtown Los Angeles.  The white marble floors, rot-iron stairway, and ceiling-wide skylight were shared by both buildings, but there were lots of characteristics which were solely the hotel’s own.  Practically all of the halls had artwork on them. It was like staying at a museum.  Later, I noticed that the doors and doorways to the various rooms were all of different sizes.  Some of them were even painted and decorated by its inhabitants.

    Each floor otherwise looked more or less the same: from the central staircase, a swinging door at either end which opened up to a main hallway with doors on either side then the sudden narrow hallway on either side which ended in a cloister of apartments or rooms.  Some of the doors would be ajar for ventilation.  On more than one occasion, I noticed the strong presence of   Maryjane at a wing of the 8th floor.  When I first got to my room there was loud music playing just around my corner.  Through the crack I spied an artist working on the floor.  Perhaps he was working on paying this months rent.

    I got to my room: # 402.  The first thing I noticed was, when I closed the door behind me, I could no longer hear the music.  The units, I was told, were very soundproof.  The ceilings were high, the floor wood, and the whole room of mine has been whitewashed.  An old fashioned radiator occupied a corner.  There was the bed, dresser, end table, small desk, clock radio, and a few old lamps.  There was also a TV and a mini-fridge: the latter of which I didn’t use.  There was also a separate bath in an art decco style and checkered tile.  One thing I further noticed was, in the halls and especially in my room, it smelled of musty cigarette smoke.  Maybe Bobby thought he’d surprise me.

    My plan for New York was simple: go out and make the scene during the day and write at night.  After I unpacked, I got my desk set for making out like a foreign loan.  I didn’t waste even my first night as I sat down and started filling my notebook.  I made sure to introduce a Kelly character and certain things like what Gracie said that one time.  I must admit it was a very productive night.  The only drawback was, without a girlfriend around, I was self-employed in my ‘business’. I went to the bathroom, relieved myself, and went to bed.

    One of the few modern conveniences in my room, a clock radio, woke me up to Cypress Hill’s  Valley of Chrome.  I already had an idea of what I was going to do throughout the day.  I got up, took a shower, and got dressed.  I took my small bag filled with pens, small notebooks, and a tour guide and split.

  • A few weeks back on this blog we mentioned a guy who jumped from the 10th fHughloor stairwell and richocheted off of the rails and lived.  Well we were wrong about who it was.    While having drinks with a former resident Friday night, she recalled that the guy who jumped but lived had written a book about his namesake, Black Panter party leader Huey P. Newton.  Hugh Pearson, who had the guts to publish a warts and all biography of Newton, subsequently found himself excoriated by some members of both the black community and liberals and embraced by conservatives.  Sadly, Hugh was found dead, apparently a suicide, in his Brooklyn apartment only a few months ago. (Photo: The Villager)

    Still no details on the guy who claimed to have jumped from the roof and lived in 1981.

  • Around the corner from the Chelsea, on Seventh Avenue, I was waiting for a friend to ride the subway uptown.  There were two homeless men camped out near the entrance to the subway.  They were old, or at least they appeared old, their faces worn and weathered.

    “Fuck the salad,” the bigger one said.  He was paunchy for a homeless man, and had wavy, Mesclunsalad gray, uncombed hair.  “Roast beef and mashed potatoes, plenty of gravy.  Fuck the salad,” he repeated, for emphasis.

    “Gotta eat the salad,” the smaller, thinner one said.   “Gotta have your vegetables, fresh vegetables, or else you’ll get sick.  ‘Specially with all the drinkin’ we do.”

    “What are you talkin’ about?” the big one said.  “Sick how?”

    “Just sick, that’s all.  How the fuck do I know?  Your teeth’ll fall out!  Your fuckin’ dick’ll shrivel up and drop off!”

    The bigger man paused to reconsider his position in the face of these threats.  “Still, it tastes so bad,” he said.

    “That’s what the dressing is for, you dumbass,” the smaller man said.

    They were too preoccupied with their discussion to even bother hitting me up for money. (Copyright 2006 Ed Hamilton)

  • Lepo Tuesday, Jan. 24, 10:30 p.m.
    Susanne Bartsch & Kenny Kenny invite all of the cool kids to Theodora’s Birthday  Mermaidface_1 Bash. (More pics here) Show: Julie Atlas Muse, DJ Alexander Technique, DJ Ryan downstairs. hosts: Sophia Lamar, Kim Aviance, Cazell, Andrea, Amanda Lepore. Happy Valley Tuesdays, 14 East 27th St., NY NY

    Wednesday, Jan. 25, 7:00 p.m.  The reading series at the Kettle of Fish, a bohemian bar, in case you didn’t know, will feature Jo Gohmann, Lucy Lehrer, and Nelly Rosario.  Curator Michael Mejias promises a boozy, word-filled evening.
    Kettle of Fish, 59 Christopher Street, NY NY

    Thursday, Jan. 26, 6:00 – 8:00 p.m.
    Uv Andy Warhol
    superstar and former Chelsea Hotel resident Ultra Violet opens her own solo show at Stux Gallery. Ultra Violet’s multimedia works feature different meditations on the power of light to convey emotional meaning, according to the gallery, and use the artist’s signature neon, including I Bear Witness of the Light (2005), which features the numbers "9" and "11" in blazing red neon Roman numerals.
    Stux Gallery, 520 West 25th St., NY NY

    Bl Thursday, Jan. 26, 9:00 p.m.
    Norman’s Big Night Out presents a New Year’s Extravaganza featuring Ms. Tickle, Penelope Points, Miss Amelia, Matt Mohr, Melody Sweets, Bunny Love, Science Officer and loads more. $10.00
    Scenic, 25 Avenue B, NY NY

    Reed_002060_notes_web_sm Friday, Jan. 27, 11:00 a.m – 6:00 p.m.
    An exhibit of New York photographs taken by legendary musician Lou Reed is on display until Feb. 25.
    Steven Kasher Gallery, 521 West 23rd St., NY NY

    Saturday, Jan. 28, 10:00 – 5:00
    Harlem is….Music: Portraits by Carl Van Vechten features original black and white photographs of African American musicians with a connection to Harlem.  Before you head up town, learn more about the photographer Carl Van Vechten.  Visit his collection of online portraits which include former Hotel Chelsea residents Katherine Dunham, Thomas Wolfe, Sherwood Anderson, Charles Jackson, and Virgil Thomson.
    Museum of the City of New York, 1220 Fifth Ave., NY NY

    If you have a relevant Chelsea Hotel event that you would like featured in "All Tomorrow’s Parties," please e-mail the information to chelblog@yahoo.com