• Blogchelsea calls us a rich source for stories.
    • CitySpecific reports that we seek to be a repository for all things artistic and notable about the people of the Chelsea Hotel/Hotel Chelsea.
    • Curbed asks the penetrating question, are we the new Lower East Side of blogging?  At least he didn’t call us the new Williamsburg of blogging.
    • Edward Champions Return of the Reluctant considers us to be an interesting niche blog. 
    • Karl Ufert "jokingly" refers to the Chelsea as an Old Folks Home. That is music to my ears.
    • Last, but not least, in an interview with Atlantaboy, Leslie Jordan of "Will & Grace" calls the Chelsea "home to lots of riff-raff."  He’ll have trouble getting a reservation in the future.
  • Our esteemed proprietor, Stanley Bard, turns 71 today.  Without Stanley Bard the Hotel would probably be just another yuppie condo building in Chelsea.

    Whenever we tell people we live at the Chelsea, they invariably ask us, How the hell did you get a place there?  It’s very difficult, you see, and a lot of people get turned away on a daily basis.  Mr. Bard himself says, ”The way I manage this hotel I would flunk every business course I ever took, but overall I feel it enhances the value of the building.”   (New York Times, Feb 15, 1998) 

    Stanley Bard’s influence on the New York art world has been well documented in interviews with writers, painters, musicians, poets, and dancers.  According to an e-mail I received from a former resident, Stanley is writing a book.  I bet it will be worth the wait.

    If you have been successful in getting Mr. Bard to let you live at the Chelsea, share your story in the comments section.  Or, if you have been rejected, we’d love to hear that story too.

  • Chuck Klosterman‘s third book called Killing Yourself To Live: 85 per cent of a True Story, chronicles his 21 day road trip to places where rock stars have died. Of course, the Chelsea Hotel, scene of Nancy Spungen’s death was not to be missed. 

    Klosterman is not the only one to make that pilgrimage.  On a daily basis when I walk through the lobby I over hear a conversation similar to this:

    Rock & Roll Tourist:  “Can I visit Room 100, Sid & Nancy’s room?”

    Desk Clerk:  “There is no room 100.  You can buy a Chelsea Hotel key chain with Room 100 etched on it.” 

  • I. Lobby Mascots

    Stanley Bard, our justly esteemed proprietor, always sees to it that his guests are well entertained.  In particular, he provides us with an unbroken series of inadvertent performance artists, appearing daily on that grand old stage known as the Chelsea Hotel lobby.

    The first, in my residence, was Hiroya.  A fat Japanese man who dressed in red overalls (though later he got thin, and switched to a suit), Hiroya was a self-promoter par-excellence, in fact almost to the point of mania or psychosis.  He would accost anyone who came through the lobby, art critic, movie star, tourist, whoever, with wild boasts of his artistic greatness, and dogged attempts to lure them upstairs for a show of his paintings.  I suffered through many such shows myself, though I have to admit his work was rather powerful.  In the end it was his personality, rather than his art, that did him in.  (More about this in a future column.)  The desk people called him Annoy-ya.

    After Hiroya’s untimely demise, we were treated for a time to stylings of The Angel.  Another Japanese man, The Angel dressed in drag, with feathered wings on his back.  He was usually attired all in white, but sometimes he would appear as a sinful red angel, or even as a black angel of death.  But no matter what color he wore, he was, essentially, a seedy angel.  Though at times he would wear a splendid long gown of a costume, topping it off with a bejeweled tiara, at other times, in keeping with the faded grandeur of the hotel, he allowed his costumes to deteriorate, the lace to get torn and dirty, the feathers of his wings to molt, like an angel fallen to earth.  The strangest thing was that The Angel got mad if you mentioned his appearance.  He just wanted to go around dressed as an angel; he didn’t want anyone to notice.  When it was hot, The Angel would sometimes just wear his frilly panties with a pair of wings on his back—maybe he got the idea from Victoria ’s Secret–and I think that was what finally ran him afoul of management and got him kicked out.

    Then there was the long run of Blondie, a disheveled woman with Tourette’s syndrome who would stand out on the street in front of the hotel and make weird guttural noises, and who would generally flee if you approached her—several times she ran out into the street to escape me—though sometimes she would hold her ground and hiss at you, like a snake.  She refused to go into her room—demons lurking in there, apparently–and would sleep in the lobby, or in the hallways.  Periodically, Blondie would disappear for a week or two, apparently to get treatment, and then come back looking more bedraggled than ever.  Her sojourns abroad increased in frequency and duration, and then one day she returned no more.

    We seemed to be heading downhill with that third one, I must admit—though some got their jollies by chasing after poor Blondie and running her up the stairs–but lately things are looking up, especially now that we have The Umpire in residence.

    (Next week: The Umpire)

    Ed Hamilton

  • June 9 – 18
    Hal Holbrook channels Mark Twain in his one man show.  Twain stayed at the Chelsea when he was on a lecture tour in 1888. (Turn West on 23rd Street)
    Brooks Atkinson Theatre
    256 West 47th St

    June 9 – June 26
    Arnold Weinstein, librettist for the opera A View From the Bridge and lyricist for William Bolcom’s Casino Paradise, will premiere a suite as part of The Medicine Show Theatre.   (Arnold has been doing this for a while, o
    n June 12, 1961 his satire The Red Eye of Love premiered.)
    The Medicine Show Theatre
    549 West 54th St NY NY

    May 28 – June 14
    Star Art
      features paintings and photographs by former residents William Burroughs, Dee Dee Ramone and Bob Dylan.  Dee Dee’s painting is of a Chelsea guest who O’D.d.
    Chelsea Art Musem
    556 West 22nd St NY NY

    Jan 22 – June 25
    The Historic Costume & Textiles Collection at Ohio State University has an exhibit of rare works by former resident and designer Charles James.  If you can’t make it to Ohio, at least check out the online exhibit.  (I previously blogged about my boyfriend coming across James’ drafting table during a dumpster diving session.  Too bad he didn’t find one of these lovely dresses.)
    Columbus, Ohio
    9568

  • The trendy David Barton Gym, located in the historic McBurney YMCA building directly across from the Hotel Chelsea, is being sued by a member because of purported sexual activity in the steam room.  The YMCA has a rich sexual history.  After all, The Village People were reportedly inspired by the fun atmosphere of the McBurney to write their monster hit “YMCA.” 

    Leonard Cohen has been charged with extortion.  Mere speculation on my part, but I bet we will soon hear about a countersuit.

  • In a recent interview, Patti Smith recalls meeting William Burroughs and how listening to his advice impacted her life.

    "I met William at the Chelsea Hotel, in about 1969," recalls Patti Smith. "I had a terrific crush on him. He was handsome, charming, intelligent. I used to follow him around and he befriended me, he became my guide, he taught me a great deal. He told me to make my own choices, not worry about fame or fortune, nor be swayed by other people or promises. Not to let my work be re-directed…"

    Patti Smith and William Burroughs 
    Burros2_3


  • Internationally acclaimed author Susan Swan tells us why Casanova wasn’t a cad and why she always stays at the Chelsea.  She also shares details about her forthcoming project which happens to involve one of my favorite Chelsea authors, Thomas Wolfe.

    What do you do?
    I’m a Toronto novelist with six books of fiction published internationally, here, in Europe and South America. My latest novel is What Casanova Told Me, published this week by Bloomsbury US. It was timed to come out with the anniversary of Casanova’s death, June 4, 1798. He wasn’t really a cad who used women like Kleenex but a talent literary writer who once famously said, "I’ve never made love to a woman whose language I didn’t speak because I like to enjoy myself in all my senses at once." My novel tells the story of his last legendary love affair with Asked For Adams, the American cousin of John Adams, and a descendent of puritans. Her story of her travels in the Mediterrean is told in a journal passed on to a descendant who is visiting some of the same places.

    Why did you choose to stay at the Chelsea?
    I always stay at the Chelsea when I come to town. I first came here in 1986 and met Jerry and Stanley who don’t change. When I walk into the lobby, they say, WElcome home, Susan. Where else do you find hotels that treat you like that? In my fantasy for the next five years of my life, I would like to rent Norm’s suite on the tenth floor and tend his gorgeous roof garden. Maybe it was my years as a performance artist in the 1970’s that told me there is more to life than corporate style hotels. That goes for everything I do.

    What is your favorite Chelsea Hotel Story?
    My favourite Chelsea story just happened to me. In March, I was looking to sublet at the hotel so I noticed the very tall blonde woman riding up in the elevator and asked her if she knew anyone who had a space to rent. She looked me in the eye (I’m six two too) and said, "Yeah, me. It’s Thomas Wolfe’s old suite." Now I’m renting it while I publicize my Casanova novel. The first night I slept in it I dreamt of Wolfe who said nice things about my novel. I love its faded baronial splendour and when the sun goes down, I toast his ghost with a glass of delicious California Zin.

    Would you ever have a character in your fiction stay at the Chelsea?
    Absolutely. Wolfe, for one. I am currently writing some pieces for the New York Times about his legacy or what’s left of it. Usually, my obsessions and I have one with Wolfe end up in fiction too. Recently, I’ve been thinking the Chelsea would be great material for a TV sitcom.

    If you want more information on me and my books, visit  www.susanswanonline.com There’s also a BookShort based on my latest novel the two and a half minute version is available to watch online.  There is also a DVD available of the six minute version.  Vist the the BookShorts site or contact production@bookshorts.com

  • This may be your last chance to catch Swedish author Sara Stridsberg‘s pilgrimage to the Chelsea Hotel to capture the spirit of Valerie Solanas.  Today, between 12:00 and 2:00, Sara will be working in the lobby frantically retyping Valerie’s SCUM Manifesto.  Here is what Sara has to say about the proposed novel and staying at the Chelsea.  (If you are able to speak Swedish you can probably get more info about the project than I was able to get.) So please stop by.

    What do you do?

    I´m a writer and Malin Arnell is a visual artist. Right now we´re travelling in the footsteps of Valerie Solanas to celebrate her work.

    Why did you choose to visit the Chelsea?

    We´re staying at Chelsea hotel to retype her manifesto since she wrote it there 30 years ago.

    Why did you choose to write a novel about Valerie Solanas?

    The reason why I choose to write this novel about her is not clear to me. It started when I translated the manifesto into Swedish. I think that I was touched by the huge gap between the manifesto and her life, and also moved by the fundamental lack of connections with the "real" world in her life…  All I wanted to do was to to talk to her… the bitchy brilliant baglady…

    What is your favorite Chelsea Hotel story?

    That must be Valerie writing her brilliant manifesto in the hotel and being a pain in everybody´s ass in the lobby. She taught us everything about not being "Daddy´s Girls", even if we still very much are Daddy´s Girls.