• There’s a nightclub in the basement of the Hotel Chelsea.  Most everybody who lives in the hotel would rather have a laundry room, or something practical, but instead we’ve got a trendy nightclub where hardly any of us ever venture.  (A real A list place. I saw Monica Lewinski go in there!)  I went in Serena’s once just to see what it looks like, and—surprise!–it looks exactly like a basement, with low ceilings and exposed pipes.  But besides that, it’s nicely decorated, in red and black like a lot of clubs these days.  I have to admit they did a good job with it, under the circumstances.

                The club was started by Serena—I forget her last name—who actually lived here for a time, maybe she still does, in order to cash in on the hipster cache of the Chelsea.  Serena herself no longer owns the club, however.  She sold it, hopefully for big bucks.

    One night recently, a thin, pretty, young blond woman, in Manolo Blahnik heels and a sexed up dress, burst through the front door of the hotel, and came running frantically up to the desk. “Please don’t send hotel guests to my club!” the woman said, hysterically.  She was apparently the hostess at Serena’s.

    “People come downstairs and ask where the bar in the Chelsea Hotel is,” the desk clerk said, matter-of-factly, “and so I give them directions to Serena’s.”

    “Oh, my God!  Please don’t do that anymore!” the woman shrieked.  “There’s a guy out there who’s already been drinking!  And he’s wearing a Kentucky Wildcats sweatshirt!  And now he wants in my club!”

    I was standing there waiting for the elevator, and, hearing this crazy rant, I burst out laughing and the hostess turned and glared at me.  “Sorry,” I said.

    The hostess turned back toward the desk.  “What am I supposed to do with this guy?” she said, a bit more calmly.

    The desk clerk shrugged his shoulders.

    “Not our problem!” the switchboard operator piped up from her corner.

    The staff likes to play tricks on people.  Or maybe they just get tired of explaining that there really is no Chelsea Hotel Bar.  In certain guide books—apparently written by people who never visited the hotel, it says things like, “Be sure to stop by the Chelsea Hotel Bar, where Dylan Thomas and William Burroughs hoisted beers.”  If they mean anything, they mean the El Quijote, which was once, 80 or 90 years ago, the hotel dining room.  The El Q has more in common with the hotel, and anybody who wants to hoist beers with bohemians would obviously be better off there.  But sometimes I guess it’s just good for a laugh to send an unfashionable looking tourist or two down to Serena’s.


    Copyright 2006 Ed Hamilton

  • The partial Literary Map of Manhattan is now available.  You can complete your map by adding these additional fictional characters who resided at and/or visited the Chelsea.   Judging from the list it seems that for some authors the Hotel Chelsea is synonymous with crime.

    Robin Hudson, the female detective in The Chelsea Girl Murders — Sparkle Hayter
    Daisy Dalrymple, the female detective in The Case of the Murdered Muckraker – Carola Dunn
    Jack,  Found in the Street – Patricia Highsmith
    Hank Thompson, the bad guy in Caught Stealing – Charlie Huston

    Matt in The Devil Knows You’re Dead — Lawrence Block

    Most of the characters in Chelsea Horror Hotel — Dee Dee Ramone

  • Monday, June 6 at 9:00
    George Chemeche reads at the Bowery Poetry Club.  George Chemeche is an artist, author and curator. He checked into the Chelsea Hotel in 1972 for one night and he is still there. Thus he refers to his work as the " Chelsea years." His book of poems, Rebecca from Tribeca is due soon. His writing is ironic and satiric: "I write bad poems for those who hate good ones."
    Bowery Poetry Club
    308 Bowery, NY NY

    Tuesday, June 7 at 7:00
    A reading and screening with Susan Swan, author of What Casanova Told Me, and hotel Chelsea guest. Her novel is part of the BookShorts short films based on books program.  And, check back here later this week to learn why Susan always stays at the Chelsea.
    McNally Robinson
    50 Prince St., NY NY

  • June 5 will mark the third year anniversary of the death of Dee Dee Ramone. He and his wife and dog lived on and off in the hotel during the year preceding his death.  For part of that time, Dee Dee was my neighbor.  Here is the story of how we met.
    Deedeeramone 
    Somebody new had moved into the room next door.  I had heard him moving his stuff in late the night before, but as yet I hadn’t met him.  He was quiet now, just before noon, apparently asleep.

                Some workers began doing renovations on the floor above us: a lot of sawing and tap-tap-tapping with a hammer. After about a half an hour of this noise, the guy next door started banging on my wall, screaming, “Shut up!  Shut up!  Shut up!” 

                I didn’t think he could be talking to me, since all I was doing was sitting there writing.  But after a few more minutes of banging on my wall, the guy came out of his room and banged on my door.

                I opened the door and there stood Dee Dee Ramone.   I had seen him around the hotel, but never like this.  He wore only his underwear, his white jockey shorts, and he was covered with tattoos: skulls, pistols, dice, black cats, the numbers 13 and 666—over his arms, chest, and legs.

                I was taken aback, and stood marveling at his tattoos. Though Dee Dee was small and skinny, skeletal even, with all the tattoos, he was still kind of threatening.  On top of that he was insanely angry, shaking with rage.

                “Is that you making that noise?!” he demanded.

                “No, Dee Dee.  It’s not me,” I replied.  “I think it’s the construction workers upstairs.”

                Without another word Dee Dee went back into his room, flung open his window, stuck his head out, and yelled up at the construction workers: “Shut up, you motherfuckers!  You do that work later!  Shut up!”

                One of the workers must have looked down from the window above, because then Dee Dee said, “I see you, motherfucker!  I know who you are!  I don’t wanna hear that hammering again!”

                It got real quiet for a moment.  And then from above I heard a very deliberate: TAP TAP TAP TAP TAP TAP TAP!
                “You motherfucker!  I’ll kill you!” Dee Dee screamed.  “You come down here to the third floor!  I’ve got a knife, and I’ll be waiting for you in the hallway!” (Copyright 2006 Ed Hamilton)

  • An article in LAWeekly spotlights several west coast independent publishers including BukAmerica, Santa Monica Press, TOKYOPOP, Equator Books, Red Hen Press, and Perceval Press.  Perceval Press recently published a first book of paintings by poet/Chelsea resident Rene Ricard.

  • I found a purse in the shared bathroom one morning.  It contained the usual junk that women carry around, and a wallet with an ID and forty dollars in it.  From the picture on the ID, I could tell that it wasn’t anybody who had any business using our bathroom.  I suspected the worst, that she was a junkie who had broken in to shoot up, and that made me feel like taking the money and throwing her purse in the trash just to teach her a lesson.  But really I had no evidence of that, and I’d seen her around the hotel, so I asked for her room number and took the purse up to where she lived on the fifth floor.

    The woman who answered the door was tall, middle-aged, with long, dyed-red hair.  She wore bracelets and a flowing, robe-like, Turkish hippie shirt.  She had apparently been sleeping, or otherwise indisposed, and at first she didn’t understand what the hell I was saying, but when she caught on she was really grateful: “Oh my God!  I didn’t even know that was gone.  Oh thank you so much.  Let me give you a reward.”

                “That’s OK.”

                “No, no.  I should give you something for your trouble.  I’m so scatterbrained!”  She checked her wallet, then said, “Oh, I’m afraid I’m kind of short right now.  I’m unemployed at the moment.”

                “Don’t worry about it.”

                “Actually,” she said, “I’m a poetess.  At the moment I’m composing a long revelatory work of scope and vision that I believe will open the eyes of a great many people around the world.”

                “Wow,” I said, and then, mercenary son of a bitch that I am, asked, “You think you’ll get some money for that?”            

    “Perhaps,” she said, with a touch of condescension. “Certainly I’m not in it solely for the money.”

                “Of course not.”

                “Cynthia Blair, by the way,” she said, extending a long, thin hand.

                I didn’t hear anything more from Cynthia for a few weeks after that, but apparently it had been bothering her that she couldn’t give me a reward, because one day she showed up at my door.  “I still don’t have any money,” she said, “but I have this coffee pot.  It’s a nice coffee pot, don’t you think?”

                There was nothing nice about it whatsoever.  It was an old, used coffee pot.  I must have looked rather bewildered, because she clarified her offer: “You can have it if you want.”

                I took the pot.  “Thanks,” I said.

                “I just wanted to give you something for your trouble.”

                Now the strange thing about it was, it was a very small coffee pot, apparently for espresso.  I had never seen one before.  “Uh, how do you use it,” I asked

                “I don’t know.  I’ve never used it before,” Cynthia said.  “I think you just put it on the burner.”

                “Hmmm.”

                “It needs a basket or something to go inside, but maybe you can find one of those.”

                “Oh yeah, I’m sure that’ll be no problem,” I said, unable, despite myself, to suppress a hint of sarcasm.  “Thanks.  It looks real good.”

                We stood there in the doorway for a moment, not knowing what  more to say to each other.  Finally, I asked, “How’s the revelatory work coming?”

    “What?  Oh, very well, thank you.  I believe it’s being well received.”

                “Good.”

                “However, as I’m sure you must realize, these things take time to be resolved, and in the meantime the mold is growing thick all around us.”

                Cynthia turned to go.  But then she thought of something and turned back and said, “Oh, by the way, I’d rinse that pot out if I were you.  I had bleach in it.”

                I wondered, but I didn’t ask.  Something for the trash after all.

    Ed Hamilton

  • The July/August issue of The Atlantic Montly features book reviews by Chelsea resident Sally Singer.  (How does she do it? Mother of three, fashion director at Vogue and now book reviews.) A portion of the reviews can be read online. Singer has selected an interesting array of books focusing on "morally vacuous women."   Two of the "morally vacuous women," Edie and Marianne Faithfull have a passing relationship with the Chelsea. 

  • If you passed through the lobby of the Chelsea Sunday evening and saw a tall, raven-haired woman, dressed in a white tee shirt, white petticoat skirt, white tights and silver Mary Janes rapidly banging on the keyboard of a portable typewriter you may have thought to yourself, is the hotel paying her to create atmosphere.  The answer is no.  Swedish novelist Sara Stridsberg, the author of a soon to be released novel based on the life of Valerie Solanas was passing through the Chelsea on the last leg of a tour that had included Atlantic City, New Jersey where Valerie grew up, Florida where she spent time in a mental institution, and San Francisco where she died in a Tenderloin District flophouse.  So, her travel companion was hanging in the lobby channelling Valerie and re-typing The Scum Manifesto.

    Sara’s novel based on Solanas’ life will be released in Sweden in January.

  • From Friday’s issue of the Daily News,

    Legendary theatrical costumer William Ivy Long  (And Former Chelsea Resident) was feted by Hollywood scribe Paul Rudnick, playwright Wendy Wasserstein and choreographer Susan Stroman on Monday to celebrate his 50th Broadway show.

    Rudnick told the gathering at the Central Park Boathouse, which included Hugh Jackman, that he first met Long decades ago just as he was engaging in a farting contest with a fellow Yale Drama School student.

    Then there was the time, 20-odd years ago, when he attended a "benefit auction" that Long was holding at his Chelsea Hotel apartment. The prize was a male hustler who would go to the highest bidder, male or female.

    "Rudnick said: ‘It turned out the prostitute was a Yale Drama School grad, too,’" one party guest tells me.

  • Saturday, June 4,  3:00 p.m.
    Chelsea writer Ed Hamilton reads his short story "The End of Sonny’s Bar," at the Ear Inn Reading Series. Hamilton’s fiction can be found online at SoMa Literary Review, River Walk Journal, and Modern Drunkard magazine .
    Ear Inn
    326 Spring St., NY NY

    June 9 – June 26, 8:00 Medicine Show Theatre
    Arnold Weinstein, librettist for the opera A View From The Bridge and lyricist for William Bolcom’s Casino Paradise,will premiere a suite as part of the Medicine Show.  Arnold, William & Arthur Miller in Arnold’s apartment at the hotel. (Photo from Opera News)

    Arnold