• The Library of Congress Prints and Photographs Division is a wonderful resource for locating images.

    Was this 195a52797r38 photo of  Thomas Wolfe taken in the Chelsea? The date coincides with Wolfe’s tenure at the hotel. The LOC was unable to find any documentation regarding the location of the setting.  The photographer, Carl Van Vechten, was noted for his photographs of writers and celebrities.  Photographs of Sherwood Anderson (Chelsea Author) such as the one below taken in Central Park, are also part of Van Vechten’s collection.
    5a51650t

    This same database search revealed that photographer Arnold Genthe, renowned for his photos of Chinatown in San Francisco, was a resident of the Chelsea.

  • Dylan Thomas is being brought back to life in the form of a 3D moving image created using his death mask. The image does capture a certain pickled quality.

    _41158171_dylanhead203

      R – Tennessee Williams attending 1953 funeral service for Dylan Thomas.Twdt

  • Two Pew Internet surveys conducted in early 2005 show that 16% of U.S. adults (32 million) are blog readers.  The blogger audience now commands respect, says the current study. It stands at 20% of the newspaper audience and 40% of the talk radio audience. Meanwhile, 6% of the entire U.S. adult population has created a blog. That’s 11 million people, or one out of every 17 American citizens.

  • The recent unearthing of an unpublished play by Jack Kerouac and an unpublished poem by the then student Tennessee Williams has inspired me to be less annoyed by my boyfriend’s obsession with rooting through the trash at the Chelsea.  Here are his "literary" finds todate:

    • Outtakes and/or duplicates from Doris Chases’ video The Chelsea.
    • A poster autographed by beat writer Herbert Huncke.  The poster contains an excerpt from Huncke’s work, "The Hospital Again."  (Fair Condition.)
    • Charles James’ drafting table. More about the table later.
    • A Pink Guitar.
    • A badly torn bunny painting by graffiti artist Hiroya.
    • Art historian Helen Johnson’s chair and magazine collection.  The collection consists of copies of People and Ebony from the 1970s. More about this later.
    • Reams of bad poetry.
    • Many sketches and paintings by various artists.
    • An unfinished novel about the hotel.
  • Patti Smith divulges the origins of her song "Gloria," in a recent interview with Simon Reynolds.

    Gloria, says Smith, it’s a song about her sister Linda, a sort of morbid fantasy rooted in remorse: the pair, rooming together in the Chelsea Hotel, quarrelled, and Linda disappeared, causing Patti much anguish. Written in 1971, the verses languished in a drawer for several years, until they were pulled out and given an incongruously jaunty reggae backing.

    Cowboy_1 Patti in her room at the Chelsea.

  • Bob Dylan turns 64 today, but I’m not going to do an extensive blog about his relationship to the Chelsea because, as they mentioned in yesterday’s New York Time’s article, "he is a shill for Victoria’s Secret."  Instead, I’ll dwell on his cat Smoke who either ran off or went up in smoke, depending upon whose story you believe, during the fire that Edie started in her room. 

    In the spirit of Smoke, today’s Slice of Life is about those crazy hotel cats.

    There’s a big orange cat that comes in our window from the fire escape—which it uses to travel between floors.  One time it got into our room late at night without our knowing it, and just went to sleep amidst all the dusty papers and boxes under our bed.  At the break of dawn it clambered out on the opposite side of the bed—near the wall—scaring the hell of both of us.  We thought a rat must be climbing into bed with us.

    There’s no rats in the hotel, as far as I know, but there are plenty of mice.  Lately we’ve set out glue traps, so we have to be careful and not let any domestic animals into the room.  But one time in the middle of the night I had to go down the hall to the bathroom, and, half asleep, I opened the door and a little gray cat darted into the room.  She went straight for the glue trap under the bed—a big one for rats, those are the best—and got stuck in it straightaway.  Howling and thrashing, she leapt wildly about the room, crashing into furniture, until she finally dislodged the glue trap, at which point she darted from the room and sped away down the hall.  I turned on the lights and found the glue trap: the cat had left behind three perfect paw prints, framed in thick gray fur.  At least that kept her away for a few days, though now she won’t let me pet her anymore.

    This little gray cat runs into rooms all the time, especially tourist rooms, and gets trapped inside.  Her owner then has to comb the halls, calling out the cat’s name, and listening for it’s piteous cries.  When she finally tracks it down, she has to call the front desk to get somebody to open the room and let the cat out.

    We used to have a dog too, Gingie, a fat brown mutt.  Gingie had free reign of the hotel and would ride the elevator form floor to floor.  Whenever I opened a can of tunafish, I could always count on hearing Gingie’s scratch on my door—though it would usually come about an hour later, when the tunafish was long gone.  After this happened several times, I learned to save a small portion for her.  Poor Gingie, alas, has long since joined the ranks of the Chelsea ghosts.
    Copyright 2006 Ed Hamilton

  • Tuesday, May 24 at 7:00 p.m.
    Pultizer Prize winner and New York Times icon Joseph Lelyveld will be in discussion with Chelsea author Michael Rips.  Rips recently published his second novel,  The Face of a Naked Lady, An Omaha Family Mystery.

    Housing Works Cafe

    126 Crosby Street, NY NY

    Wednesday, May 25 at 7:00 p.m.
    Michael Mejias has relaunched his reading series at the Kettle of Fish.  The Kettle is similar to the Chelsea in literary spirit.  The original location on MacDougal, was the watering hole preferred by the likes of Jack Kerouac and the Beats.  And 59 Christopher was once the home of the legendary Lion’s Head; the literary hang out where scribes including Jimmy Bresin and Ed Albee practiced drinking.  Crystal Mandler, Cleyvis Natera, and Scott Snyder will be reading. 
    59 Christopher Street, NY NY

    Saturday, May 28 – June 14, 2005
    One-time Artnet Magazine "Celebrity Art" columnist Baird Jones unveils an exhibition of "Star Art" in the project room at the Chelsea Art Museum. Among the celebrity art-makers in the show are Herb Alpert, David Bowie, David Byrne, Richard Chamberlain, Miles Davis, James Dean, Grace Kelly, Jack Lemmon, Kim Novak, Dee Dee Ramone, Red Skelton and Donna Summer

    Saturday, May 28, Lawrence, Kansas
    Big garage sale featuring William Burrough’s memorabilia.

    May 27 – 29
    Lower East Side Festival of the Arts.

  • Sally Singer and Joe O’Neill moved from the hotel to Brooklyn, but that didn’t last long.  Within a year they were back in the Chelsea with their three kids in tow. 

    "Some people leave because of the mice, some people leave because of the roaches, and some people leave because of the people in the elebator," Mr. O’Neill said.  I guess there aren’t any mice or roaches in Brooklyn.

    Sally in her Narciso Rodriguez gown, and Joe with his back to the camera. (style.com)

    Sandjsmall

  • Writer Daniel Green Smith answers 5 questions.  The hotel is where Smith started work on his second book, "I was hoping to get divine inspiration, instead I got a huge bill for motorcycle parking, but I love New York…"

    What do you do?
    I am a writer.

    When did you stay at the Chelsea?
    I stayed at the Chelsea hotel for about 2 months in 1998 and 1999.

    Why did you choose the Chelsea?
    I went there because I was on a figure 8 motorcycle tour around the country in honor of my father who died in July of 1998.  My father had been a writer in New York early on in the 30’s and had fell in love with the book "Homeward Angel" by Thomas Wolfe.  It seemed like there could be no better place to stay than in the place one of his favorite authors lived and wrote one of my father’s favorite books.

    Would you stay at the Chelsea again?
    I would covet the chance to stay at the Chelsea again and finish the novel, but alas, I can’t afford to stay there, and must work writing in between jobs…

    What are you currently working on?
    The figure 8 motorcycle tour is the topic of my second book, and I’m still working on it, but the nature of the book and the tour was and is, the resolution of the war between father and son, an unfortunate resolution in death, where neither son nor father is redeemed.  The theme of the book is how we as the son’s of the greatest generation live in the legacy of the wounding of our father’s.  The wounding of the depression, of WWII, of the misunderstanding that the generation had to live with as we moved into this modern age, and the misunderstanding that we as their children often felt.

    You can check out Daniel’s work at www.carpentersongs.com

  • Maud Newton has an interesting post about the controversy surrounding the authenticity of former Chelsea author Nabokov’s Lolita.  Maurice Girodias, the publisher of Lolita, and many other important books, also lived at the Chelsea.  An article published in The Nation in 2004 suggests that Girodias may have been Valerie Solanas’ original target, afterall he was her publisher and a lot of people want to shoot their publisher, but since he wasn’t at home, she decided to go to the Factory and shoot Andy Warhol instead.

    "…Solanas was thrilled by her status as a soon-to-be-published writer, but it wasn’t long before she began obsessing about the seemingly restrictive legal boilerplate of Girodias’s contract.

    On June 3, 1968, Solanas stopped by Girodias’s office or his room at the Chelsea Hotel, depending on the source. She carried a gun in a paper bag. Girodias was out that day, so she proceeded to the Factory. There she shot Warhol in the chest three times. (And the art critic Mario Amayo as well–no one ever seems to remember the poor guy.) She aimed the gun next at Warhol’s manager, Fred Hughes, who uttered a line that could have been lifted from one of Warhol’s deadpan films: "Oh, there’s the elevator. Why don’t you get on, Valerie?" She did. That evening, she turned herself in…"